Antoine Fuqua Quotes
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At one point, there wasn't a black quarterback in the NFL. When you start winning, then you start seeing more. Jumping up and down and screaming and calling people names is not going to change anything.
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If you disagree with the way a colleague did something, call him up, invite him out for a coffee, talk about it. But don't do it publicly.
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My experience of test screenings is that you don't know what kind of mood people are going to be in, and sometimes the studios accept what Joe Blo says - and this guy could just be a frustrated filmmaker, or not paying attention.
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Every time I look through the lens with Denzel, I'm like a 12-year-old kid. It's hard for me to look at the monitor because the fun is in watching him.
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I like making movies.
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When I was younger, growing up in Pittsburgh, they had a 'Golden Gloves' program through the Boys and Girls Club. In Pittsburgh, New York, Philly, Washington, those areas, I would go and spar at competitions.
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I grew up an athlete, growing up in Pittsburgh. I played basketball. I played football. I played a little bit of baseball in my earlier years.
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The simple answer is I'd just be a guy trying to feed my family, like everybody else. The complicated answer is, I think I'd be in some sort of military or government world of some sort.
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Remakes have been done forever. People talk about 'Scarface' and don't even know it was a remake.
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Denzel's all about the work. He's all about the acting. He's an actor. He'll tell you himself, 'I'm not a movie star, celebrity, something else. I'm an actor.' He steps on a set, that's what he is, and that's what he gives you. He gives his heart.
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If Prince decided that he liked you, or he liked your art or what you brought to the table, it wasn't something that ended. It was a continuation of that thing until he went to the next thing.
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Westerns are simple stories where there's good and there's evil and where people had a sense of space and freedom. Growing up in the city, as a kid, you've never really seen that before. It's a beautiful dream to go from concrete to big skies, dirt and horses.
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I grew up on the East Coast, and we always used to say, 'Go get your hustle on,' whether it was playing sports or making money. You do what you have to do to do what you want to do.
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I used to get off the bus, and there'd be a crowd around, you know, and I was thinking, 'God, I hope this is not for me.' And it normally was, and it was because someone said something to my sister, and the first she says is, 'Well, I'll get my brother.'
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I don't understand why we give up genres, and the Western is a great genre. It's a part of the rich history of cinema and who we are as we've evolved as people, as a community.
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I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
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I take them seriously but I try not to read them. I take them personally, that's why I don't read them. I think people are lying when they say they don't care, that's not true. I take them personally.
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I don't know if Prince even really paid attention to time. The moment of creativity is the moment, and you go at that moment.
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What I learned is, don't forget who you are, because that's what's going to make you a filmmaker.
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The world we live in is like a Benetton ad. It's changed, and we have to appeal to a broader audience. You want younger kids of every race to be able to see themselves in the movie.
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The story is also about the battle between Arthur and the Saxons. The Saxons were destroying everything they came across and Arthur was left when Rome was falling because this movie takes place in 400 A.D.
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Cinema Paradiso, because it reminds me of why I make movies, the magic of movies, the romance of movies.
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I don't know, you know, when I look at it now, I don't know what in the world made me think I could become a director. I really don't.
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It's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.