Anton du Beke Quotes
Being fit is the easiest part of being a dance professional. I used to just throw on a backpack full of rocks and run up a hill. You don't even have to go to a gym.
Quotes to Explore
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William Lloyd Garrison was up there with Frederick Douglass being thrown off trains and going through what happened in the 1960s in 1840 in Boston.
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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It is up to African leaders to show their will and political courage in order to assure that this new pan-African institution becomes an efficient instrument and not a place for endless discussions.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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In general, I don't know when inspiration will pop up.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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I haven't always been confident. I actually suffered with low self-esteem growing up. Eventually, I got to a point where I was just like, 'OK, this is taking too much energy.' After that, I started accepting myself for who I was, and I was like, whoever is not going to accept it, they weren't really meant to be in my life in that way.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.
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The Saints are the elect children of the spouse of Christ, the precious fruit of her body; they are her crown of glory. And when these dear children quit her to reap their eternal reward, the mother retains precious memorials of them and holds up their example to her other children to encourage them to follow their glorious traces.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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I don't just train to be a participant. I train to come up big in big moments. That's when I know I've got to roll the sleeves up.
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I liked 'Diff'rent Strokes' up until about the last three or four years. I was bored.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
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Fighting for one's freedom, struggling towards being free, is like struggling to be a poet or a good Christian or a good Jew or a good Muslim or good Zen Buddhist. You work all day long and achieve some kind of level of success by nightfall, go to sleep and wake up the next morning with the job still to be done. So you start all over again.
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You are exactly what you seem, and so you always assume that other people are, too.
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When I consider others I can easily believe that their bodies express their personalities and that the two are inseparable. But it is impossible for me not to feel that my body is other than I, that I inhabit it like a house, and that my face is a mask which, with or without my consent, conceals my real nature from others.
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I don't think that the movie industry is any more ready than any other part of the information industries to adapt itself to the information age. But it's going to go there one way or the other.
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The only way I hear gossip is if it's big enough and loud enough for my friends to bring it up to me. Or if it's, like, a big untrue ordeal from my publicist – and she hates making that phone call!
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Being fit is the easiest part of being a dance professional. I used to just throw on a backpack full of rocks and run up a hill. You don't even have to go to a gym.
