Anton du Beke Quotes
My goal was to become the best dancer in the world and, because I started late, I always had this feeling I was playing catch-up, so I've been a bit of a maniac most of my life, sort of striving.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.
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I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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If something is mine, then I want to keep it.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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I've thought for a long time that my body type would have worked well in the '70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
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Some of the greatest survivors have been women. Look at the courage so many women have shown after surviving earthquakes in the rubble for days on end.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I have to expend an awful lot of energy actively undoing the impact of my name. Understandably, people assume that I have at least some connection to Iran. The truth is that I don't. I have very little knowledge about the culture, the language, the history. I've never been to Iran. I've never even been inside a mosque.
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I don't really do sad, depressing songs.
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It is so important for girls and boys to have a female, strong superhero to look up to.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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Chains of habit are too light to be felt until they are too heavy to be broken.
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It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
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To work without attachment is to work without the expectation of reward or fear of any punishment in this world or the next. Work so done is a means to the end, and God is the end.
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You listen to Black Sabbath with Ronnie James Dio in it, and it's not Black Sabbath. They should have just called it 'Heaven and Hell' right from the beginning. Because you listen to that 'Heaven and Hell' album, that doesn't sound anything close to Black Sabbath.
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In New York, the theater is a destination point. In Los Angeles, no matter how provocative, how successful, how star-studded the theater event may be, it is, at best, a second-class citizen.
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When I initially moved to the city, I had to stay in hotels for almost two years. I was fed up of that life, and it was then that I decided that I wanted a home in the city, so I shifted base permanently.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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I think 'Nick and Norah' was a huge deal for me. It was my first foray into the studio world, and that character was such a gift.
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My goal was to become the best dancer in the world and, because I started late, I always had this feeling I was playing catch-up, so I've been a bit of a maniac most of my life, sort of striving.
