Antonio Banderas Quotes
Quotes to Explore
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It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
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I would enjoy having dinner with the poet/playwright Derek Walcott.
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I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.
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The Canadian franchises and Canada as a market for NHL hockey has always been a priority for us.
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America is another name for opportunity.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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I wasn't really excited about doing television, to be quite honest.
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Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
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But acting just sort of happened and I found that I loved it. It was such a challenge.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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I've been training quite hard.
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I'm rooting for Saudi Arabia getting a seat on the U.N. Human Rights Council.
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The taste of any simple tomato-based salad is dependent on the quality of the tomatoes.
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Whenever I hear that I'm on the brink of stardom, I feel like I want to run into a cave.
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The strength of British theatre should be that these actors in their middle years know what they're doing and are good at it. Not rich, not famous, but making a living.
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Perhaps 10 percent of patients who are prescribed antidepressants are really benefiting from the drugs' active ingredients.
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What higher art does is to invite us in and allow us to make decisions.
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But I suppose film is distinctive because of its nature, of its being able to cut through time with editing.
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Mediaeval mythology, rich and gorgeous, is a compound like Corinthian brass, into which many pure ores have been fused, or it is a full turbid river drawn from numerous feeders, which had their sources in remote climes.
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We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. Starting over with accuracy.
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For the faithful, the patient, the hermetically pure, all the important things in this world - not life and death, perhaps, which are merely words, but the important things - work out rather beautifully.
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The trouble with learning from experience is that you never graduate.
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It is often in the audacity, in the steadfastness, of the general that the safety and the conservation of his men is found.
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In my personal life, I am very contemplative.
