Anya Taylor-Joy Quotes
I find it very difficult to compare any two projects because they're all such different beasts.

Quotes to Explore
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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Always render more and better service than is expected of you, no matter what your task may be.
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I've been really lucky with the people that I've gotten to work with. I learn a lot from them, just by watching them.
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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With this film, 'Need For Speed,' with this, we had a blank canvas to work with. What we had to do was have fast cars, and that's it.
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It's an honor to live on a legacy, getting to do what we love to do and try to be the best musicians that we can possibly be.
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Few men can be said to have inimitable excellencies: let us watch them in their progress from infancy to manhood, and we shall soon be convinced that what they attained was the necessary consequence of the line they pursued, and the means they used.
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We are not the same India that the world saw in the 1970s and '80s. Hence, we have a responsibility to live up to the pedestal on which we have been put.
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I've found that the most engaging and satisfying author events I've done are with other people, where the conversation is spontaneous. I think that is by far the better way to introduce and promote a book.
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I don't know how to make Harper and Alloy want me, not just my name.
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Of all the labels and tags and epithets people have forced upon me, there's one I don't dislike. I get called the 'enfant terrible.' In every article, it's always there. So I have to give that a meaning.
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I don't like denial. I don't like repression.
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Anyone in the comedy world knows that Horatio Sanz and Chris Parnell are two of the funniest guys around.
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Measure your wealth by what you'd have left if you lost all your money.
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I was described as a dreamer, a fantasist, even as the village idiot. I didn't care. What I cared about was convincing people to allow me to go on with my work.
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Growing up, I always wanted to sing.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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Japanese maps tend to come in two varieties: small, schematic, and bewildering; and large, fantastically detailed, and bewildering.
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I have a stack of those plastic card hotel room keys that I picked up on this latest book tour. It's about a yard tall. Ah yes, a stack of lonely nights.
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You could send your soul after the good you had expected, instead of turning it to the good you had got. You could refuse the real good; you could make the real fruit taste insipid by thinking of the other.
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When I was growing up watching Marilyn Monroe, I learned that you can be very beautiful, very glamorous and very vulnerable and not give up your soul just because you were a movie star.
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You have to understand: the narrative that people have about business and capitalism is that they are fundamentally selfish, greedy, and exploitative. Of course, I don't agree with that narrative.
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I find it very difficult to compare any two projects because they're all such different beasts.