Ben Affleck Quotes
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
Quotes to Explore
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Whatever work you do, you think are you doing this for the good of the nation? That's the basic training. The other basic training is discipline. Your life should be disciplined. The other thing they say is what work you get, do it well.
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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Trust and value your own divinity as well as your connection to nature. Seeing God's work everywhere will be your reward.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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Be prepared, work hard, and hope for a little luck. Recognize that the harder you work and the better prepared you are, the more luck you might have.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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I need to work to feel well.
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In committing an estimated 3,000 U.S. forces to join international Ebola relief efforts in West Africa, President Obama seems to be fulfilling the plans of highly influential progressive groups who seek to transform the American military into more of a social-work organization.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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It takes time and energy, and if I'm working, then I'd rather flop in front of the telly than put on a tiny dress and work out how to get myself to God knows where. I mean, lazy some would call it.
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Without humor, I cannot go on and I doubt many of my readers would go on either. Humor is so important. I am here to have fun here with my work.
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It is very difficult to be taken seriously when you're introduced at a party to somebody as the fourth Mrs. Rex Harrison.
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I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo.
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You kind of create your own moral universe. It's like, well, I like myself. If other people don't like me, then whatever. I'm out of here.
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I come prepared when I come to work. Not just knowing the lines, but I think I know something about what I do.
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I just love the fact that a man possesses something that a woman can never understand because we don't have the experiences of it and that a woman possesses something that the man doesn't understand because only she possesses it.
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On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
