Edward Dahlberg Quotes
Quotes to Explore
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Unfortunately, there is still much to mine in this world and explore creatively.
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One can quite understand vegetarianism. One can quite understand meat-eating. But it is difficult to understand why a person who is a flesh-eater should object to one kind of flesh, namely cow's flesh. This is an anomaly which call for explanation.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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I learned how to read in second grade, and I entered a summer contest at my local library in Chattanooga, Tennessee. If you read more books than anybody else, you got your Polaroid up on the bulletin board, and I did.
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I've made a decision and now I must face the consequences.
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I hardly ever stretch the canvas before painting.
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I'm not a babysitter.
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I love Brazilians. Brazilians ought to be made compulsory at 15.
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I like a guy who uses his hips when he's dancing.
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I think Teach for America has suffered from the fact that I did not teach, in a major way. I also think if I had taught, I wouldn't have started Teach for America.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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I've never had to fend for a child's life, which sounds very terrifying.
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It's hard to say this about a guy like Eddie Van Halen, one of the greatest guitar players who ever lived, but he's really limited to a style and they're locked into it.
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I think encouraging young people to twerk might be a bad thing. It's a stripper's move. If I had a daughter of nine, I wouldn't want her twerking.
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When I speak of artistic universals, I am not denying the enormous role played by culture. Obviously culture plays a tremendous role, otherwise you wouldn't have different artistic styles - but it doesn't follow that art is completely idiosyncratic and arbitrary, either, or that there are no universal laws.
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During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.
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We all wanted to copy Vivien Leigh.
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I love acting but I also love writing, especially comedy.
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To feel valued, to know, even if only once in a while, that you can do a job well is an absolutely marvelous feeling.
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I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
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A lot of times in America, we work on bully muscles. We want the big muscles and the stuff that looks good. But we don't focus on the little things. But that's the stuff that sustains you and keeps you strong.
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At 35, I'm definitely starting to feel more like a grown-up than I ever have. There's nothing in my life that is childish or whimsical. Having fun is fantastic and I never want to lose a sense of that - and also, I think, you have to have that to put into your work or else it's going to feel stiff.
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Comedians don't have hits. You have to have a whole brand-new hour. You have no hits to rely on.
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A strong foe is better than a weak friend.
