Edward Sapir Quotes
It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.
Quotes to Explore
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I love watching the old movies. I love Katharine Hepburn. I just adore her and everything that she stood for. I find it interesting watching the likes of Gene Tierney and those classic movies of the '40s.
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Sometimes 'Rookie' is written about like, 'Finally! Something for alternative girls!' and I'm like, 'No!' Obviously it's not for everyone, but I used to think that there are cheerleaders, and there are art kids.
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There is absolutely no reason in the world of blockchain to build in net settlement. It's like saying you have got a new Ferrari and we are going to put a lawnmower engine in it.
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A lot of West Virginia is untouched. It doesn't have as many strip malls, it has these old towns that feel like it used to be how it looked. Charleston has this river that runs through it, and it's really beautiful.
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I am a great believer that a captain is as good as his team.
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I love parties. I love a good time.
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Anyone can make an article longer; the skill is keeping it tight and lean.
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I would think about the outcome. Visualize sometimes. Because it never comes out the way you want it to. Fight the way I know how to fight. Whatever comes up, comes up.
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I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of a student.
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When I emerge from filming I feel slightly out of synch with real life, but it's also a relief.
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There was a period where I was a little scared that I'd blown my chance.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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Reading was not just an escape or a Band-Aid; it was a deep form of feeling seen and recognized, and being able to see and recognize other kindred spirits. My dad was a writer, too, which also likely had something to do with that.
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I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
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Being an economist is the least ethical profession, closer to charlatanism than any science.
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I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
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Bearing an eternal longing for Jewishness, I threw myself in all directions and left to work for another people. I am not one of those lucky ones raised in their own environment, whose work is normal.
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I have been absolutely hag-ridden with ambition. If I could wish to have anything in the world it would be to be free of ambition.
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I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
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Anyone who creates something new or does something different artistically is going to be singled out.
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There are different kinds of justice. Retributive justice is largely Western. The African understanding is far more restorative - not so much to punish as to redress or restore a balance that has been knocked askew.
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And the shadows of tree-trunks and shadows of leavesInterlace with low voices and footsteps and sunlightTo divide us forever.
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It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.
