Edward Steichen Quotes
You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.
Quotes to Explore
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I started dealing with weapons on the first show I ever did, 'The Inside,' but I didn't really do any physical stuff until 'Alias.'
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Weight issues, race issues will always be there and if you allow them to get to you and you allow them to affect you then yes they affect you. But my thing is I have so many other things to worry about I can't worry about other people's perception of me.
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I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
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I hated singing. I wanted to be an actress. But I don't think I'd have made it any other way.
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Running back was always my favorite position.
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I love boats. I can be on a boat for days.
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I wanted to live the life, a different life. I didn't want to go to the same place every day and see the same people and do the same job. I wanted interesting challenges.
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My knee has always given me problems. But it got to the point where I actually had to start giving up things. And I hate that.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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I grew up very self-loathing. I was a phobic. I had anxiety. I had panic attacks.
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Coaching in the NBA is not easy. It's like a nervous breakdown with a paycheck.
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The fact is that in too many communities in cities in Britain gangs now have become completely rooted into these communities and they destroy them around them.
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Advice and consent does not mean rubber stamp in the Senate.
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Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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You don't have to be gay to be attracted to your friend.
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If my life depended on being a social-media person in terms of talking myself up, I probably would be in trouble because - not that I wouldn't be able to step up to it - but I wouldn't love it. I wouldn't want to be that person; that wouldn't be my natural thing.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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I take class at the Groundlings, and my personal coach is Lesley Kahn.
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I'd just play 'til my hands fell off. My parents would yell at me to stop because they couldn't stand the noise any more! I was terrible! It must have been hard for them to listen to me as a beginning drummer.
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'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.
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The ratio of successful shots is one in God-knows-how-many. Sometimes you'll get several in one contact sheet, and sometimes it's none for days. But as long as you go on taking pictures, you're likely to get a good one at some point.
Elliott Erwitt -
I love it when other people can come up with ideas and tell me what to do.
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You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.
