Macy Gray Quotes
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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I don't write the books. God writes the books and delivers the speeches.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I write romance because I love to read romance.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I just write mechanical things.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I opened up every can of worms I could. I got to the place where I would peel back one layer, and then another layer, and the stuff that would come up underneath was so inspiring, it made me want to write about it.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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My method is, I just sit down and write a book.
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Now write this: 'The greatest rapture of my life was afforded me on a boat in Nassau by Fatima Blush,' and sign it 'James Bond, 007.'
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The best way is not to read as much from the media and what they write.
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My stories deal with multicultural situations as well as multigenerational settings.
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I did stand-up comedy for 18 years. Ten of those years were spent learning, four years were spent refining, and four years were spent in wild success. I was seeking comic originality, and fame fell on me as a byproduct. The course was more plodding than heroic.
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I write in the studio.
