Edwidge Danticat Quotes
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Anger is a wasted emotion.
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To start with, for example this year, 2004, is the bicentennial of Haitian independence.
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The whole military structure in Haiti that existed until the early 1990s was put in place by the American occupation. At the top there were Southern white officers, who led an army that crushed the indigenous resistance - the cacos. A high-ranking U.S. officer said when he arrived, "To think these niggers speak French!" Later, Haitian officers attended the notorious School of the Americas at Fort Benning. The threat from the U.S. is something that is always hanging over people's heads: If we don't behave, we'll have occupation again.
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We need literature because we wouldn’t fully know ourselves without it. We need good literature to be fully human.
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Napoleon had been fighting this army of slaves and free people in Haiti and it depleted his forces. And after the Revolution, when the French were driven out, they stopped and sold this big chunk of North America to the Americans for very little money.
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Especially moments when things are very difficult and complicated for me and I am still trying to grasp what is happening and I am still trying to understand and to reach family back home.
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I would hate for people to generalize about every Haitian from something that one Haitian did, or a group of Haitians did.
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Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.
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After writing fiction for so long, I like the discovery element of nonfiction, in the sense that when you find the right information, it feels like gold.
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The more practice you have, the less stressful writing is.
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This was a "bad" example for U.S. slaves. Haiti was subjected to an embargo from the United States, which, along with many other countries, refused to recognize this new republic.
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There are many possible interpretations of what it means to create dangerously, and Albert Camus, like the poet Osip Mandelstam, suggests that it is creating as a revolt against silence, creating when both the creation and the reception, the writing and the reading, are dangerous undertakings, disobedience to a directive.
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Someone has said that nations have interests, they don't have friends, and you see that over and over in U.S. policy.
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Art is a luxury but also a necessity.
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We still have our people working in the cane fields in the Dominican Republic. People are still repatriated all the time from the Dominican Republic to Haiti. Some tell of being taken off buses because they looked Haitian, and their families have been in the Dominican Republic for generations. Haitian children born in the Dominican Republic still can't go to school and are forced to work in the sugarcane fields.
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America's relationship with Haiti has always been very complicated. I often say to people, "Before we came to America, America came to us in the form of the American occupation from 1915 to 1934."
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The way the media cycle works, the way the news works, and the way people's attention span works, is that we only learn that people exist when there is crisis.
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That's whatever news topic, whatever political process any country is going through - whenever they are in the news, that's when they exist. If you don't see them they don't exist.
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I was neither doing these people nor myself a favor by showing up when my heart wasn't in it. There were not getting the real me, the whole me, the true me.
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I don't know what will happen to the physical book and what it will mean for authors. I worry whether it will mean people can still make their careers this way. Will whatever comes next allow people to be able to own their ideas and be able to take time to develop them?
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When you are working on something, you have to believe that people will still be reading when you're done!
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Life was neither something you defended by hiding nor surrendered calmly on other people's terms, but something you lived bravely, out in the open, and that if you had to lose it, you should lose it on your own terms.
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I think all artists are looking for a subject or are sometimes unsure of their subject, but immigrant artists bring another culture to that and they bring also the place where the original culture meets the new culture.
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There is something human about the way people react to and identify with suffering. There's a lot more empathy in the world than we perhaps realize.