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The more practice you have, the less stressful writing is.
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Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.
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Especially moments when things are very difficult and complicated for me and I am still trying to grasp what is happening and I am still trying to understand and to reach family back home.
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People think that there is a country there that these people are only around when they are on CNN. I don't think that's limited to Haiti.
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This was a "bad" example for U.S. slaves. Haiti was subjected to an embargo from the United States, which, along with many other countries, refused to recognize this new republic.
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We need literature because we wouldn’t fully know ourselves without it. We need good literature to be fully human.
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People often think of Haiti as a place where you're not supposed to have any joy. I wanted to show that this is a place with joy.
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There is something human about the way people react to and identify with suffering. There's a lot more empathy in the world than we perhaps realize.
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Someone has said that nations have interests, they don't have friends, and you see that over and over in U.S. policy.
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Most of them, they serve the interests of the United States but are not building any kind of permanent structure for the country they are affecting.
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The way the media cycle works, the way the news works, and the way people's attention span works, is that we only learn that people exist when there is crisis.
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I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody.
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We still have our people working in the cane fields in the Dominican Republic. People are still repatriated all the time from the Dominican Republic to Haiti. Some tell of being taken off buses because they looked Haitian, and their families have been in the Dominican Republic for generations. Haitian children born in the Dominican Republic still can't go to school and are forced to work in the sugarcane fields.
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It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.
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There is always a place where, if you listen closely in the night, you will hear a mother telling a story and at the end of the tale, she will ask you this question: 'Ou libéré?' Are you free, my daughter?" My grandmother quickly pressed her fingers over my lips. Now," she said, "you will know how to answer.
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I am very timid about speaking for the collective. I can say what I see, I can say what I've heard, I can say what I feel, but I can't speak for - no one can speak for - 10 million people, and it takes away something from them if you make yourself their voice.
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Language is such a powerful thing. After the earthquake, I went to Haiti and people were talking about how [they] described this feeling of going through an earthquake. People really didn't have the vocabulary - before we had hurricanes. I'd talk with people and they'd say, "We have to name it; it has to have a name."
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Art is a luxury but also a necessity.
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I was neither doing these people nor myself a favor by showing up when my heart wasn't in it. There were not getting the real me, the whole me, the true me.
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I'm not saying Cubans don't deserve asylum, but if it is a national security issue, there are people who are coming from Cuba on hijacked airplanes. Why isn't that a national security issue?
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There [Haiti] were also leaders like Jean-Jacques Dessalines, whose motto was, "Cut their heads off, burn their houses."
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The greatest gift anyone can give to a writer is time.
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I think it's hard to write a book about happiness because fiction requires tension and complication.
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And the fact that Haiti was occupied for 19 years by the United States, from 1915 to 1934.