Edy Ganem Quotes
Thinking of that movie 'The Artist'; if anyone ever needed to reach anyone, I'm just thinking they didn't have cell phones, they didn't have Internet, they didn't have email, so I always wonder how it was back then where you had to be home if you needed to get a phone call; otherwise, people couldn't get a hold of you.
Quotes to Explore
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I think people are always able to achieve more than they think they can. While that's cliche, I don't know if managers think about that enough. You have to set your sights extremely high.
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I don't see that many movies lately that are actually about something, that are trying to challenge something about the way that people interact.
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I know theater can improve the quality of people's lives, and I know theater can heal. I've worked as a doctor clown in a hospital for two years. I have seen sick kids and sad parents and doctors be lifted and transported in moments of pure joy. I know theater unites us.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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We had a few non-fiction books at home, but my dad was of the opinion that fiction was a complete and utter waste of time because it wasn't real - so what was the point of reading it?
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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I created my own charity called My Peak Challenge. We've been able to raise hundreds of thousands of pounds. It's helping change people's lives, and I've had lots of wonderful letters about it.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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I'm attracted to playing people who aren't necessarily straightforward.
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The acquisition of knowledge - knowledge of both the world and of their own religion - will inoculate young people against extremist ideologies.
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The fact is, funnily enough, that the people who seem to be most committed to causes also seem to be least invested in anyone actually talking to each other.
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The biggest misconception people have about me is that when they see how young I am, they think, 'Oh, this guy must have always wanted to be in politics; his parents must have been politically connected.' I'm a finance major and always intended to go into business.
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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We took a plant that was being closed by a big company thinking there was no good use for it, and we came in with a different perspective. We bought some used equipment, as simple as we could.
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I have enjoyed every call. The ones involving direct contact with people have been most rewarding.
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In general, people are afraid to acknowledge hallucinations because they immediately see them as a sign of something awful happening to the brain, whereas in most cases they're not.
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In a free society, we will tolerate boorish people, who have abhorrent behavior, but if we're civilized people, we publicly criticize that, and don't belong to those groups or don't associate with those people.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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People have to go through what they have to go through. I think in some cases you sort of bring things on yourself and that's what you want it to be than that's the way it is.
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I don't really believe in political art. I feel in my heart the purpose of art transcends cultural and class and politics. I think something like the Sistine Chapel is something that goes beyond just being a Christian thing. It transcends its Christianity and becomes sort of a universal beauty. And I think that's true of music and art and literature.
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Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
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When you have to work with and exist amongst cynical, burned-out personnel on a set, it doesn't matter what you're shooting or how much you're being paid - it's not worth it.
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Thinking of that movie 'The Artist'; if anyone ever needed to reach anyone, I'm just thinking they didn't have cell phones, they didn't have Internet, they didn't have email, so I always wonder how it was back then where you had to be home if you needed to get a phone call; otherwise, people couldn't get a hold of you.
