E. O. Wilson Quotes
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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The Southern borders of Bavaria are being protected by Hungary.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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Every story I create, creates me. I write to create myself.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I write romance because I love to read romance.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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I never write about the road. I never write about hotels or anything like that.
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I was elected six times to represent southern Arizona, in the State Legislature and then in Congress.
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Camp Southern Ground is a lot more than a camp. It's more of a campus.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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I think I would like to write screenplays, books, really anything.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
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The thing I want to emphasize is this: We haven't done one thing that anybody else can't do. We have certain rules in the league. Here's the cap, here's the numbers, here's what you can spend. So everybody in the league can do what we're doing. It's just that many choose not to.
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I remember my first visit with my guru. He had shown that he read my mind. So I looked at the grass and I thought, 'My god, he's going to know all the things I don't want people to know.' I was really embarrassed. Then I looked up and he was looking directly at me with unconditional love.
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In addition I wanted to write a Southern novel, because I'm a Southerner.
