Maren Morris Quotes
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I just love when girls rock short hair, because they can't hide behind anything. I feel more empowered with short hair.
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I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
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I didn't move to Nashville with any inkling or dreams of getting a record deal. I didn't have those stars in my eyes. I just wanted to take a break, relax, and figure out songwriting.
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'My Church' - that was really the tipping point of me going from songwriter to artist.
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I'm just getting back into my songwriting groove. It's still pretty early. But I don't want to make 'Hero 2.' It's going to be different.
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Every time I've seen Sheryl Crow perform, it's like effortless perfection. She's so relaxed onstage, but she's really locked into the music and having fun. Vocally, I've always looked up to her.
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I love, love songs, but sometimes it's okay to just be young and talk about something other than getting married or falling in love.
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When it comes to best new artist or album or song of the year, yeah, it's very rare that you see someone in country win one of those. It's a very strong genre, and it's got roots so deep in our culture. I think the pool of voters listen more to pop and R&B and hip-hop. Those seem to be the major contenders.
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My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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I've written some really good songs that I love hungover because I wasn't overthinking it.
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If you think about 'The Pill' by Loretta, that was totally blacklisted back then. But she revolutionized and liberated a generation of women - country listeners and beyond - that were sort of in that box and were able to break out of it.
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It's such a changing industry, and I realize that it's become more digital- and singles-driven, but I still love listening to a full record. It's the artist's story captured in 12 or 15 songs.
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I love love songs, but sometimes it's okay to just be young and talk about something other than getting married or falling in love. There are so many fun things that you live that you can write about and people of all ages can connect to.
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You need someone there that gets what you're going through.
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I'm a '90s kid, so I loved 'NSync and the Spice Girls.
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I was rejected from 'American Idol' - and I'm happier for it now.
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I'll just drive around if I'm stuck on something or have a case of writer's block.
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This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
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Sheryl Crow. I loved her 'Tuesday Night Music Club.' She expressed her own point of view, and she wasn't trying to be like anyone else, and I loved that. That's been the thinking of all my favorite artists.
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I hope there is a place for me in the country landscape, but I'm not too precious about it, either.
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I'm a control freak, even though I can be scatterbrained off stage. The only way I can have fun is if I know where everything is.
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To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
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As a touring musician over the last 15 years, before streaming and iPods, you had to listen to terrestrial radio wherever you were. That's always been my way of connecting to a location. Turn on the radio, search through the dial.
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I grew up listening to a lot of classic country, and I think that shows in my songwriting.