Marg Helgenberger Quotes
I didn't work on the killing floor. I worked in the section where you break the meat down and package it.
Quotes to Explore
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I've listened to female vocalists my whole life. That's what I love. I still listen to guys' vocals and don't get taken aback a lot.
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The two most important things in my life were academics and sports. I had to do my schoolwork first.
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Hip-hop is a vehicle.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!
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When I grew up, my role model was my grandma because she's just the best.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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The relationship with time changes when you're captive.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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I would not hesitate to vote for a white person as president if I thought he was the best person for the job.
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I influence people, hopefully on the positive side.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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So-called 'sustainable development'... is meaningless drivel.
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One hundred years ago, the slave was freed. One hundred years later, the Negro remains in bondage to the color of his skin. The Negro today asks justice. We do not answer him - we do not answer those who lie beneath this soil - when we reply to the Negro by asking, 'Patience.'
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One of the nicest things about receiving the accolade of Australia is that, previously, the knighthood was historically for what was termed 'the establishment.' Now, this is an accolade for somebody who comes from a working-class background. Someone whose father was a truck driver and decided to buy a truck.
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We're living in miraculous times where connections are made at the blink of an eye, the tap of a thumb, and the click of a mouse. We can never replace human interaction, but these simple actions can be powerful and meaningful to those we connect with.
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I didn't work on the killing floor. I worked in the section where you break the meat down and package it.
