Margaret Anderson Quotes
. . . the great thing to learn about life is, first, not to do what you don't want to do, and, second, to do what you do want to do.
Quotes to Explore
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I'm known for having crazy shoes. I have a total Napoleon complex - I'm only 5'4", and every heel I have is four inches or more.
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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Every ten years there is a new generation of actors.
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If some student came up and wanted to know where to study painting, you'd want to suggest someplace, but there's no place. I wouldn't know where to send a student to study.
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I once tried thinking for an entire day, but I found it less valuable than one moment of study.
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It's true that you need much time to get rid of the fat girl you once were, but you know I am sincerely grateful for my buttocks.
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Naturally, I was a bit of a curiosity, being the first hydrogen peroxide ingestion patient they had ever seen.
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I need this wild life, this freedom.
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When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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I did a B.A. with a major in fine arts and a minor in psychology. I wanted to become a teacher or do art therapy for the elderly. But then I realised I wanted to travel instead.
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I don't accept gifts from perfect strangers - but then, nobody's perfect.
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I'm a serious eater and a seriously hungry person, so I set out on that path to figure it out for myself, and of course it really resonated with other people.
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Lebanon, Israel, Ireland, South Africa - wherever there is a bleeding sore on the body of the world, the same hard-eyed narrow-minded fanatics are busy, indifferent to life, in love with death.
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People say I am cheap, and I don't mind if they do.
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I have a strong affinity for animals.
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I was looking for the people who were making the music inside the cabinet. I would look in there and see if I could find somebody who was making all this wonderful music.
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I just miss - I miss being anonymous.
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I realized that for this moment, nothing in the past mattered. Nothing terrible in the future mattered. What mattered was her skin against me, her hand holding me, the perfume of her hair and skin and the warmth of her breath against my chest. This was satori. This was truth.
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I was called fat and ugly in the press almost my entire life. I understand that being judged by others comes with the territory, but it broke my heart and ruined my self-esteem.
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I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.
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If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
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It's a good thing I don't read everything Eddie says, or I'd be up in arms and not enjoying my life.
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. . . the great thing to learn about life is, first, not to do what you don't want to do, and, second, to do what you do want to do.
