Damon Knight Quotes
Quotes to Explore
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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A story never looks as good as when the other fellow buys it.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I never want to write a book just to tell a story. There is always something deeper going on.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
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Life is very hard, isn't it? It does kill you, after all.
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It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll.
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In general, lives seem to veer abruptly from one thing to another, to jostle and bump, to squirm. A person heads in one direction, turns sharply in mid-course, stalls, drifts, starts up again. Nothing is ever known, and inevitably we come to a place quite different from the one we set out for.
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To be honest, it's easier for me to speak with an American accent.
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Tell a person they are brave and you help them become so.
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There are 36 ways to tell this story. And all of them are disgusting.
