Damon Knight Quotes
Quotes to Explore
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	It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.   
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	All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.   
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	A story never looks as good as when the other fellow buys it.   
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	It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.   
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	When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.   
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	I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.   
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	Every story I create, creates me. I write to create myself.   
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	Sometimes the kids come up with better endings than the real story.   
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	This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.   
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	You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.   
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	People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.   
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	Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.   
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	I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.   
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	I never want to write a book just to tell a story. There is always something deeper going on.   
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	It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.   
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	Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.   
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	When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.   
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	It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.   
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	It is the duty of every one to strive to gain and deserve a good reputation.   
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	I don’t suppose I really know you very well - but I know you smell like the delicious damp grass that grows near old walls and that your hands are beautiful opening out of your sleeves and that the back of your head is a mossy sheltered cave when there is trouble in the wind and that my cheek just fits the depression in your shoulder.   
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	Wishes, at least, are the easy pleasures of the poor.   
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	My older brother, Jake, and I had a bohemian childhood. My parents are deeply unconventional people from the beatnik generation. They weren't married, and I thought that was normal. We called them by their first names.   
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	There are 36 ways to tell this story. And all of them are disgusting.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					