Margaret Haddix Quotes
Sometimes I can spend as long revising a manuscript as I spent writing it in the first place.
Quotes to Explore
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What I love about the sci-fi community is that it's the most nonjudgmental, inclusive, diverse environment in the country. There's no group of people that is more diverse and inclusive.
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My maternal grandmother - she was a compulsive reader. She had only been through five grades of elementary school, but she was a member of the municipal library, and she brought home two or three books a week for me. They could be dime novels or Balzac.
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Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
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People are getting careers from YouTube and uploading videos. And they're totally different - you can't necessarily be funny on a video, and then all of a sudden you're live in a theater. You don't have the tools yet. It's a lot more involved to go from being funny on a little iPhone screen to being live in front of people and being funny.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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You don't move just because you want to go from this point to that point - the body has to be using the words as well as you vocally use the words.
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When high school students ask to spend their afternoons and weekends in my laboratory, I am amazed: I didn't develop that kind of enthusiasm for science until I was 28 years old.
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The bargain that yields mutual satisfaction is the only one that is apt to be repeated.
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I'm probably borderline OCD. I insist on having all objects at right angles to each other. So a fork has to be at a right angle to the knife on the table. The salt and pepper pots have to be placed close together. Only recently have I started to notice it's a weird way to behave.
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I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
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My perception is that I've never done anything but work really hard.
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There is a restaurant in L.A. called Crustacean, which is very famous for its garlic crab. Well, I can make garlic crab better than Crustacean. My sauce is so good you'll want to dip your bread in it, put it on your egg omelet, in your cereal, and in everything else.
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I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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Deep breaths are very helpful at shallow parties.
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If a child plays sport early in childhood, and doesn't give it up, he will play sport for the rest of his life. And if children have a connection with, and are involved in the preparation of, the food they eat, then it will be normal for them to cook these kind of meals, and they will go on cooking them for the rest of their lives.
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'The Simpsons' money got bigger and bigger. When I left 'The Simpsons', no one thought that this thing was going to still be around. It's the cumulative effect. It's like, 'Oh my God, 25 years later, and it's still coming in.'
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If you take shortcuts, you get cut short.
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As someone from a developing country, I have a problem with rich countries thinking they can tell us anything, simply because they are giving money.
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I can't stand people that do not take food seriously.
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I know that some people work differently, but I have to work from the inside out. It doesn't matter how big the character is, there has to be a truthful core.
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Even a song like 'Give Love,' in my head, there's a question as I'm writing it, going, 'Is this cheesy? Is it too on the nose to say 'give love?''
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The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.
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Sometimes I can spend as long revising a manuscript as I spent writing it in the first place.
