Ben Edlund Quotes
On 'Supernatural,' you go to a location and another location, and every week they do amazing things up there. You have to kind of hit the ground running and really start to look to the core of the story you're trying to tell.
Quotes to Explore
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He who fears to weep, should learn to be kind to those who weep.
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The claim made by Team Obama that every dollar in stimulus translates into a dollar-and-a-half in growth is economic fiction. The costs of stimulus reduce future growth. No country has ever spent itself to prosperity. The price of stimulus has to be paid sometime.
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Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
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I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.
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Cobnuts have a fresher flavour than any other nut I know of and go very well with autumnal fruit and light cheeses.
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I like having a smaller family. I think the more people you have in the family, the more people there are to have problems with.
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I'm never away from my boys for more than three days.
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I always wanted to be a writer. Maybe, had I been brought up in another generation, I might have just gone into writing rather than medicine - which is not to say that I didn't also have a great attraction towards the idea of being a healer. Fortunately, I've been able to combine the two in ways I could never possibly have imagined.
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Be peaceful, be courteous, obey the law, respect everyone; but if someone puts his hand on you, send him to the cemetery.
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I want to lay all my cards out on the table and walk away with no regrets.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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I was always more interested in story songs, things with a point of view... and things that informed me.
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I wasn't in shape at all before I decided to do boxing. I wasn't an athlete. Before boxing, I would go to the gym for a month and stop.
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I'm honestly not the kind of person who wants to step up to a podium, test the microphone and be like, 'Hey, I'm homosexual and this is who I am, hear me roar.' That's not who I am.
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I've always had this sneaking suspicion that I get a kick out of the insecurity.
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If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
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In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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I can say this: You haven't lived until you've had to wear a triplet pregnancy belly. You would be amazed at what a girl can learn based on the different months of pregnancy to make her character more interesting.
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My whole thing is loyalty. Loyalty over royalty; word is bond.
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The truth, Prime Minister, is that you have run out of our money. The country as a whole is now in negative equity. Every British child is born owing around 20,000 pounds. Servicing the interest on that debt is going to cost more than educating the child.
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Elections are about choices, and part of what you do is draw that contrast.
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I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
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On 'Supernatural,' you go to a location and another location, and every week they do amazing things up there. You have to kind of hit the ground running and really start to look to the core of the story you're trying to tell.
