Sam Taylor-Johnson Quotes
Quotes to Explore
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Foreign aid is not something the vast majority of Americans support, but definitely not conservatives.
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I didn't have outstanding numbers coming out of college and I'm not 6'6 with 230 lbs.
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Wikipedia is kind of extreme, where a very, very small group of people contribute pretty much everything.
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My style is all I have. When I go on stage, that's me in my comfort zone. It's not a costume. It's just me. And I want every woman to feel that way.
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I made all my generals out of mud.
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Music was a big outlet for me. Being able to play an instrument and sing was definitely a good way for me to escape things I was dealing with: family issues, growing up, being a kid and not knowing what I wanted to do with my life.
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All four majors are definitely a priority.
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We do not interfere in U.S. politics... and Europeans expect that America does not interfere in European politics.
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The most costly of all follies is to believe passionately in the palpably not true. It is the chief occupation of mankind.
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It's well proved economics that if a country which is rich and a country that is poor come together in global trade, sooner or later the standard of living of the poor country will go up towards that of the rich country.
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I'm just very wary that once you start military operations in any country, it's very difficult to predict what the outcome is.
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It is the end. But of what? The end of France? No. The end of kings? Yes.
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Not raising the debt ceiling is not an automatic trigger for a default.
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My mum made me feel if I wanted to become prime minister, I could do it.
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When talking about writing, I often use the analogy of archaeology. There are these great tunes all around. Your skill as a musician allows you to pick them out without breaking them.
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I loved Adam Sandler's early stuff. I thought it was so cool how irreverent and weird he would get.
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One of the great things about Sydney is that it has a great acceptance of everyone and everything. It's an incredibly tolerant city, a city with a huge multicultural basis.
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I want to try everything.
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I used to visit London when I was younger with my family. I feel very close to the city.
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Dad was an amazing storyteller and illustrator, which he did in his spare time - very inspiring and dramatic.
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I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
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Ideas are fatal to caste.
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You've got to perform in a role hundreds of times. In keeping it fresh one can become a large, madly humming, demented refrigerator.
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Snobbery just inhibits you.
