Elisabeth Moss Quotes
Quotes to Explore
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I was raised in Topanga Canyon. It's an eclectic community up in the Santa Monica mountains. A lot of musicians lived there - Joni Mitchell, Neil Young - as well as artists and craftspeople.
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We should be too big to take offense and too noble to give it.
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Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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I'm for absolute autonomy of the individual, and an adult, competent woman has absolute autonomy. It's her choice.
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I went to Antarctica on a science research boat just to sort of clear my head.
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I've had Botox. It hurts a lot, but I like it.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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I don't think I have a black-hat image.
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One of the biggest misconceptions that has been thrown out there is the fact that I started on Vine.
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Any talk of me engaging in a conspiracy against Pakistan is completely baseless.
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I like to know that when I'm 90 years old, I'm going to be able to look at a song or poem I wrote and say, 'Wow! I remember I was so crazy about this person,' or 'I remember what that day felt like.'
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I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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The actors that I admire are able to step into so many different roles.
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I was, like, a total cliched '80s child. I had Barbies, obviously, as well as My Little Ponies and Cabbage Patch Kids, but I used to destroy them. I used to draw all over their faces and cut off their hair.
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With any relationship that goes on and is productive over a long period, there have to be some sort of interlocking qualities in those personalities that make it possible to survive.
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I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
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Back home, almost everything I did, I did in Hebrew. I went to drama school in Hebrew, my whole career was in Hebrew, and to switch languages was something that was fascinating and more complicated than I expected it to be, even though I've been speaking English since I could speak.
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Religion is a matter of the heart. No physical inconvenience can warrant abandonment of one's own religion.
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There are two things that I feel very happy about from my tenure as Director of Health in Hong Kong: we introduced primary health care and preventive services from conception to old age; and we worked with herbalists to put Traditional Chinese Medicine on a firm footing of promotion, development and regulation.
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We believe that the world, too, can destroy apartheid, firstly by striking at the economy of South Africa.
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An artist's creative energy is ephemeral as a flower. It blooms and soon dies. No artist is great forever. Personally, I think I reached my peak in 2004 when I shot 'Samaria' and '3-Iron'.
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I need nothing from my companion. No money, no financial security, no emotional support, nothing. All I want is the freedom to be myself.
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I fundamentally believe in freedom and human rights.
