Xavier Dolan Quotes
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When I first got to Cannes, I was very insecure about everything, so I put on this extravagant facade. Can you blame me? I was 19.
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Here's the thing with the costumes for 'Mommy': Given the background and social strata that the characters come from, you can't really imagine that they've gone shopping lately, so we went for that very normcore, fashionless era in history, the early 2000s, which was completely transitional.
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I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
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I have a strange relationship with influences because mine are mostly literary or painters or poets, who I'll even quote. I don't do tributes to cinema.
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In 'Laurence Anyways,' Nathalie Baye is Laurence's mother, and she is quite an awful mother. Still, she is the only one in the end who truly accepts her daughter.
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It's important to see how people see your work and how they feel about it. I know a lot of directors who are like, 'I never read reviews,' and I'm like, 'Yeah I can tell.'
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For me, hipsterism is for one to appropriate the codes of a social class or another milieu that wasn't theirs originally, in order to define their personality through something different and unique. Which is why a lot of hipsters live downtown, and they're dressed as farmers. Then you have the Oscar Wilde hipster: the dandy.
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I don't have mom issues or dad issues. I think I have found peace about many things in my past. I have forgiven and asked to be forgiven.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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I've fondly dreamed of becoming the face of an important brand since I was a child, in the same way that others dream of becoming an astronaut. I dreamed of this as I first and foremost dreamed of becoming an actor and would look up at these huge posters of celebrities while driving along motorways or crossing under bridges.
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I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.
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Adele's look is meticulously thought through and completely of her own traits. She has such a powerful beauty, such an emotional voice, and the kohl, the hair, everything feels organically molded to her personality.
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The nature and the DNA of IMAX has been redefined in the past years to shoot these huge blockbusters. But I think that it's not the sole purpose of IMAX to capture cars exploding in your face.
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Men are born privileged in the scale of things - I'm generalizing, but it's true. Women have to define themselves in the eyes of men. They have to fight for their rights, especially in a society that will pretend that there is no fight or no battle, that it's a cliche, that feminists are reactionary, all these things.
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I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
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It's become a habit to make films where the father is absent. My father impresses me, but the father figure does not.
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'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
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All my life, I heard, 'Stop daydreaming,' 'Get over yourself,' 'You'll never get there,' 'Aim lower,' 'You'll hurt yourself,' from teachers, family, and friends.
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What I'm interested in is how your career choices can affect your private life, romantically or with your mom, your relatives, your friends, your hometown, and how media manipulates information - not newspapers or blogs, but the magazines that people impulse-buy that tell you what's hot and who's not.
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I love doing costumes. The costume is an actor's first line, so it's gotta be right!
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Orson Welles was lazy. He was a late bloomer.
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The scene of independent cinema is already a large scene in America, and not in a negative way, but it's cluttered. It's very populated with just American films, so the room left for foreign movies is not extremely vast. The American public also does not really read. They don't read subtitles. But we're like that in Canada, too.
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Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue.
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I think of 'Mommy' as very simplistic or not simplistic, but I wish for the style to actually work with what you see onscreen and what you feel in that very moment. I hope we did not disrespect the characters by being too flamboyant when it's not necessary.