Xavier Dolan Quotes
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I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
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That I am today the face of Louis Vuitton almost seems like a twist of fate. You dream back to front, wanting the rewards before putting the work in. And then you work, get on with life, and just sometimes these childhood dreams have a way of catching up with you. This is a true privilege for which I am eternally grateful.
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I don't find it hard to direct myself. I can easily think of me as a horrible performer or a good performer. I work with actors who cannot stand watching or looking at themselves, which is not my case. I can have an eye and perspective on whether I'm terrible or good enough for me.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
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My first language is French. I just love words so much, and in French it feels like I can say whatever I want however I want.
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Homosexuality is like an inside baseball thing. It's like a gag that people share; 'How is your husband?' But when it comes to bringing diversity to a broader audience, suddenly it's a different road. It's what we call 'a risk.' Isn't it our responsibility to elevate the standards and change people's perceptions?
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'Titanic' made me want to tell stories... To have all these characters and costumes and have ambition and think big and have dreams... It came at a very troubled period of my life.
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I design all of the costumes for my movies, actually.
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My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.
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Film-making is not liberating. It drains a lot out of you, and it's fulfilling only temporarily. It's a very thankless thing at times. When you're spending all that time on a film, you don't want 40,000 people to see it - it's just not enough. You dream of more.
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A lot of directors say, 'Do whatever you want, and I'll just change it on set.' But I love being involved in every part of production. It's very exciting. It's like an empire of creation: Everybody is working so hard to respect a vision and an idea, and it's very weird and inspiring at the same time.
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I don't personally do movies for myself and a faction of very cerebral cinephiles - I do it for everybody and wish for the largest amount of people to relish whatever they find they can relish in.
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I'm just trying to blur this very clear line we've drawn and are drawing over and over and over again between communities. Saying those are queer films and those are films. I would love for that line to disappear. For that frontier to be abolished once and for all.
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I was a very violent kid. I think movies and writing and art have been a way of channeling this.
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I have the impression that every time I'm heartbroken, I leave a bit of myself behind. I am the believer. I go back and do the same mistakes over and over again and sign them proudly.
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I don't belong to any school or clique or ghetto. I don't have any preconceived ideas. I'm trying to serve a story and not a genre or a style.
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I'm sick of people imposing cultural references and influences on me, but I'm not sick of people talking about my age.
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I always wrote. I've written stories since I was 9. We didn't have a computer at home, but my aunt Magda had one. Whenever I'd go to her place, I was in the basement working on her computer, writing stories.
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Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.