Xavier Dolan Quotes
I have a strange relationship with influences because mine are mostly literary or painters or poets, who I'll even quote. I don't do tributes to cinema.
Quotes to Explore
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If I look back I feel frightened, not happy, because my life is a bit of a mystery to me.
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I'm not in the K-1 tournament. We thought about it but they really don't want me as they feel I might get hurt so that's fine with me but I do see a lot of guys out there that I feel I can take.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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I just want to do my job.
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In my household, a Trapper-Keeper was too expensive - we had plain old three-ring notebooks - and I always wanted a Trapper-Keeper.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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The running joke about the Premio Cervantes, the most coveted literary prize in the Spanish-speaking world, which was established by Spain's Ministry of Culture in 1976, is that Cervantes himself wouldn't have received it. This is because he was, in his heart, the most anti-Spanish of Spanish writers.
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I believe in the impossible because no one else does.
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I grew up watching 'Raging Bull.'
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It makes you vulnerable to win an award. It's nice to get the attention, but your neck is stuck out.
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The entire value of a person is subjective to your relationship with them.
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Just be honest with yourself. That opens the door.
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'Dog Days' was recorded with pens and the wall, and half a stolen drum kit that was out of tune, in what was basically a cupboard. The only instrument I could really play was my voice, so we just layered everything a hundred times. It was enthusiasm over skill.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
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It's become a habit to make films where the father is absent. My father impresses me, but the father figure does not.
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I've lived in New York for 40 years. I came right after college.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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It is always the unreadable that occurs.
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not wholly consciously, but not quite unconsciously, as far as I can remember, I determined to fashion my future as a sculptor his marble, and there was in it the same mixture of foresight and the unknown. The thing in the mind of the artist takes its way and imposes its form as it wakens under his hand. And so with life.
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The way we deny death says something about how we live our lives, doesn't it? At least in Sweden or Scandinavia, you don't have to search further back in time than maybe three generations to find another way to relate to death. People then had a different, closer relationship with death; at least it was like that in the countryside.
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The older I get, the more I accept and appreciate myself.
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America, I like the spirit. Because American people here believe in something. I like that spirit.
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I have a strange relationship with influences because mine are mostly literary or painters or poets, who I'll even quote. I don't do tributes to cinema.
