Arna Bontemps Quotes
Quotes to Explore
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In social media, people cannot build big followings organically unless what they are putting out to the world has value.
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The only difference between a dead skunk lying in the road and a dead lawyer lying in the road is that there are skid marks around the skunk.
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I think Twitter is the future of communications and Square will be the payment network.
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It seems very safe to me to be surrounded by green growing things and water.
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In the investment business, you must expect to be wrong.
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I find the whole situation of confronting an audience terrifying.
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There's times when you're having dinner with a good friend and you're in the middle of a conversation and somebody comes up and cuts you off. Can you sign this? Can I take a picture with you? I'm adjusting to all the attention.
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Genius always finds itself a century too early.
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It was great being together as a band, but much more difficult being brothers than it was being in a band.
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I love samosas filled with mincemeat. My mum makes really great ones.
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Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.
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In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
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I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
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I did not enter the industry to create a certain image. People happened to see me as the friend/sister/daughter next door. I like that association very much. It's close to what I am in real life. As for films, I just focus on the job.
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I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
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Collectivism and freedom are mortal enemies. Only one will survive.
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There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
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The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of as despicable.
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It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.
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After that I couldn't show my face outside. I lost my identity and balance. I was still living with my parents, and they were my only friends. For so many people, this thing with the nurse was confirmation that I must be mad or mentally ill.
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There is an idea, first of all, of vision fully formed with the eyes closed. Of course the vision we have in a lucid dream often has greater lucidity and clarity than vision with the eyes open.
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A song or an album is never really done. You can work on it forever, but knowing when to call it a day and knowing when to walk away from it is extremely important.
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I'm not making every decision due to my children. But I do hope they never see some movies I'm doing. But I do want to do more family-friendly movies.
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Yet would we die as some have done, beating a way for the rising sun.
