Arne Glimcher Quotes
The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.
Quotes to Explore
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Art should be an oasis: a place or refuge from the hardness of life.
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Thanks to the Japanese and Geronimo, John Wayne became a millionaire.
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I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
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Tokyo in the late 1960s seemed to be like one of the futures that science fiction presents. Here was the proto- super-technology of the future, electronically, robotically, blahblahblah, intercut with traditional Japanese cultural patterns, Shinto patterns.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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Cultural tourism surveys consistently rate San Francisco's art industry as a core reason for visiting.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
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Art is a mind-game that we do to make our lives easier. If it isn't for that, it becomes superfluous.
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Love isn't an emotion or an instinct - it's an art.
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My career? I never think of it as a 'career.' Art and music and all those things that I'm creating are just part of me.
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We all know that Art is not truth. Art is a lie that makes us realize the truth, at least the truth that is given to us to understand.
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My father was a misanthrope who slept all day and stayed up all night so that he wouldn't have to see people. He ran a business with a large staff but would go there at night and leave things for them to do during the day when he wasn't there.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It's the most radical thing.
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I have a very successful father-in-law and family with very different political views.
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I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
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I had great cameramen like Rudolph Mate and Hal Mohr. They'd take an hour to light the proper closeup of me.
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No Child Left Behind widens the gap between the races more than any piece of educational legislation I've seen in 40 years. It denies inner-city kids the critical-thinking skills to interrogate reality.
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I was in a mountain biking accident and broke my sternum about three months before my unit was supposed to deploy to Iraq, and it's such a close-knit community that the idea of not getting to go is hugely jarring, so I tried to get put back in training and wound up injuring it worse.
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The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.
