Elizabeth Arden Quotes
Quotes to Explore
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I don't think an actor ever wants to establish an image. That certainly hurt me, and yet that is also what made me successful and eventually able to do more challenging roles.
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The day I leave Paris is the day I go down a level or quit football.
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I truly believe that my songs bring the answers and the solutions, as opposed to just talking about the problems. My music at its core is joyful.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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When famous people come up to you it's a bit weird, but it's an honour, really, when they recognise you and want to chat to you for a bit.
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Growing up, I've enjoyed hunting with my father.
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Wearing khadi was a badge of honour. It was something one was proud to do.
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I think of myself as writing realist American fiction. 'Cynical but hopeful' wouldn't be the worst thing I've ever been called.
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I have written every one of my novels to convince somebody of something.
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I always find filming stressful. I get very caught up thinking about my character - 'Am I doing it right? Should it be done this way?'
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I was already in a band, and the teachers called my mum in and said: 'Abbey's so clever, it's a total waste if she follows her dream'. But I never wanted to do a job I didn't love, and I'd always wanted to be a model or an actress or a singer.
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I injured myself politically when I took on Jesse Jackson' in the 1988 presidential campaign. I was too strident. I didn't recognize the emotional tie that he had with all black voters.
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When I am gone I hope there may still be courageous people in the world to criticize me, so that I don't become a hindrance on anybody's path. And those who will criticize me will not be my enemies; neither am I the enemy of those whom I have criticized. The working of the enlightened masters just has to be understood.
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I know when I walk into that classroom in the morning, even if it’s for a split second, at some point I’m being checked out.
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I pay low wages. I can take advantage of that. We're going to be successful, but the basis is a very low-wage, low-benefit model of employment.
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At the root of the assault on our liberties is, in fact, an assault on our character-an assault that assumes that we are not good enough to be free, and that aims to make sure that we are no longer strong enough, courageous enough, disciplined enough to be a free people.
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Each demand for security, whether of employment, income or social position, implied the exclusion from such benefits of those outside the particular privileged group - and would generate demands for countervailing privileges from the excluded groups. Eventually, in such a situation every will lose.
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I think there's kind of a comfortability with me onstage - and I think my cool factor is not having one. I'm not extra cool or extra different.
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What strikes me about high-school reunions is the realization that these are people one has known one's whole life.
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I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
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The very nature of 'UnREAL' is that we are provocative, uncensored, and brutally tactless.
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I definitely respect the men and women who came before me and how much those people gave to me musically.
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The only reason anything was off-white at the Chateau was because it had once been just plain white.
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There's only one Elizabeth like me and that's the Queen.
