Elizabeth Berg Quotes
When I wrote 'Home Safe,' I wanted to look at a number of things: the mystery and joy and pain of creativity. What happens when a vital safety net is suddenly removed. The difficulty some people have in growing up. The way a deep love can be as crippling as it is satisfying. But mostly, I wanted to look at the mother-daughter relationship.
Quotes to Explore
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It is well known that my husband and Lady Thatcher enjoyed a very special relationship as leaders of their respective countries during one of the most difficult and pivotal periods in modern history. Ronnie and Margaret were political soul mates, committed to freedom and resolved to end Communism.
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I'm not going to break up my family, not for a book.
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The people are hungry: It is because those in authority eat up too much in taxes.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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It was a good 15 or 20 years before anyone at Rand would be in the same room with me. They didn't want the question raised, 'What's your relationship with Daniel Ellsberg?' And not one of them wrote me a letter because they didn't want a letter of theirs to show up in my trash - which the FBI had been going through.
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It's surreal to think that I own this beautiful island. It doesn't feel like anyone can own Lanai. What it feels like to me is this really cool 21st-century engineering project, where I get to work with the people of Lanai to create a prosperous and sustainable Eden in the Pacific.
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I guess I was a mom so late in life, my daughter was the greatest thing since sliced bread.
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We have people around the world who live in the United States, and these people don't deserve to be called traitors.
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I'm a California girl. I grew up in Inglewood right by LAX.
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I was watching TV and saw people with masks, weapons, and grenades. I thought, Is that really possible? Could we be here yet again? And go into civil war one more time?
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
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When we live the 21st-century good life, almost every aspect of it is predicated on not looking at the implications of what we're up to. Happiness at this point has a lot to do with not looking, so you don't feel complicit in some vast and awful enterprise.
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Marriage is socialism among two people.
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The only time I've ever really felt envy is when I've watched people make music, which made my time living in the now-legendary Jazz Loft at 821 Sixth Avenue in New York a constant source of agony and ecstasy!
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I guess the most seminal moment going early way back was my father died when I was 3 years old. I was raised by my grandparents, and my mother went back and got a degree.
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There's some things you just have to live with. Like twelve cars camping outside your house, and when you wake up in the morning, they're going to follow you wherever you go. It helps that I live in Valencia. It eliminates some. But they're still here.
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There is kind of a typical experience as a premier. You go in, you win a couple, you get out. Go serve on boards, take your head out of the political ringer and take on a much more private life.
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We got ourselves into a position to win the game and we let ourselves down again. It's not good enough.
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I'm gradually beginning to feel that we Chinese need to be controlled. If we're not being controlled, we'll just do what we want.
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A lady in PR told me I should wear a visor.
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I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'
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My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
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When I wrote 'Home Safe,' I wanted to look at a number of things: the mystery and joy and pain of creativity. What happens when a vital safety net is suddenly removed. The difficulty some people have in growing up. The way a deep love can be as crippling as it is satisfying. But mostly, I wanted to look at the mother-daughter relationship.
