Ursula K. Le Guin Quotes
We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
Quotes to Explore
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Progress, real progress, makes me cry harder than anything. When the world itself grows.
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Artists are like everybody else.
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There can be no great courage where there is no confidence or assurance, and half the battle is in the conviction that we can do what we undertake.
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I'm from New York, so I'm not a big driver.
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She knew what all smart women knew: Laughter made you live better and longer.
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What makes me happy is having a really nice day out with my mum, or getting better at something I've been working hard at.
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Women I admired growing up - Debra Winger, Diane Keaton, Meryl Streep - were all beautiful and thin, but not too thin. There are a lot of actresses who are unhealthy-skinny - much, much too skinny. You can't Pilates to that.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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I was a good decathlete until I got with a coach that really knew how to train specifically for the event... I'd really describe it as like being a juggler; you have ten balls and you're trying to get them all in the air at the same time.
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I prefer to believe it's my responsibility if a film of mine works or doesn't work.
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I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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I could battle rap forever, but it's a joke to me.
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I would like to do a period piece. I think that would be fun.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If there is no criticism, you become lazy. But it should be constructive, and it should be the truth. If it's biased and there's no truth in it, then I don't care about it. If it's true, it helps me grow.
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I don't really think of myself as a heartthrob.
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Prince Charles is the best-dressed man in the world.
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You know, the truth is this: it is a leader's job to challenge the status quo. And when you do, you make enemies.
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In all the works on pedagogy that ever I read - and they have been many, big, and heavy - I don't remember that any one has advocated a system of teaching by practical jokes, mostly cruel. That, however, describes the method of our great teacher, Experience. She says,
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There is only one thing in life which never changes, and it is change.
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We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
