Arthur Schwartz Quotes
Quotes to Explore
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Scratch a Yale man with both hands and you'll be lucky to find a coast-guard. Usually you find nothing at all.
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I like to wear shoes that are cool but also practical. The same goes for bags. Your bag is a big deal in New York. You can't just carry around a little clutch, because you don't have a car or anywhere to stash things during the day, so you need to carry your whole life with you. That's why I like big, chunky bags with lots of compartments.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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I know I should be Wonder Woman. They need an international actress - a fresh face. They need a woman who's tall, athletic and dark-haired - and an actress who can play the part. That's me. So, I'm coming to L.A. to work hard and meet the industry. And if 'Wonder Woman' comes together, I want it.
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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If you look at art history, at Goya or Gainsborough, it's always about acknowledging the people of your time who have influence.
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I think comedy is one of the hardest things to do.
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I influence people, hopefully on the positive side.
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I come from a Christian faith. I am not going to give you insight into my particular beliefs.
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You can crush any woman by suggesting that she's fat, not even saying the word 'fat' but just suggesting she's fat.
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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I was advised by an American agent when I was about 19 to change my surname.
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I have an incredible phobia of divorce.
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I am followed in department stores. I have walked in dressed professionally or dressed in jeans, and I have walked into stores, and instantly, security is on my back.
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I enjoy building something good and having a successful product and making money.
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When two people meet, each one is changed by the other so you got two new people. Maybe that means - hell, it's complicated.
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'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
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When I was growing up, my dad didn't have weights, so he made himself a weight bench. Instead of a hand-me-down jacket, it was a hand-me-down weight bench.
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You don't get to celebrate yourself unless you risk being mocked or rejected. As an artist, you cannot play it safe. You just can't.
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It's probably one of our biggest concerns, with his groin. It'll probably be later in the week before we get a report on that.
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I'm a real food know-it-all.
