ASAP Ferg Quotes
Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.

Quotes to Explore
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The sports page records people's accomplishments, the front page usually records nothing, but man's failures.
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I don't like people cleaning my room.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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On a personal level, there are many people who have meant a great deal to me. My father and mother were certainly of vital importance, not only in themselves but because they created a world for me to revolt against.
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I think what people get confused about is that they want to label me as this EDM girl, but a lot of this stuff is genre-less.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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When you say, 'I spent my summers at the Jersey Shore,' people always say, 'Oh, really?' They think of the TV show. So I just say, 'A cute little harbor town in New Jersey.'
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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Most people don't understand that being in the public eye is emotionally exhausting. It takes a lot out of you.
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People only see what they are prepared to see.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I think there are telegrams that may or may not be available, which indicated that I very much had in mind the need to give Europe substantial aid after the war, after Lend-Lease was over.
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I don't like getting people upset, so that's not my goal. But I like putting people in situations where how they respond says a lot about them.
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I have spent my life paying attention to my art form, developing my art form, worrying about my show and what I'm bringing to people, making sure that I give them a fine trade.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I don't have any hobbies. You know, I'm very embarrassed when people ask me what are my hobbies; I don't have any hobbies. I mean, it's just enough to keep up with the things I'm trying to solve.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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All the art for Tool is done by the me and the band.
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The quilt format is highly appropriate for repetition and serialization. Formal issues of balance and color, space and light in landscape are endlessly engaging. I try to use the medium to its maximum, pushing well beyond tradition.
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Andy Warhol's art wasn't that interesting to me. He was more interesting to me as a person. He was art himself. I don't even think he was really into art, per se. He may have liked to do it, but I think he was more into people being into him.