Ashleigh Murray Quotes
I did musicals. It's funny, because I can hide behind a character and a voice, but when I have to bring myself and my own voice to it, it's very nerve-wracking.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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Nobody ever went broke underestimating the taste of the American public.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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The analysis of character is the highest human entertainment.
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Whenever I'm in the U.K., people say I have an American accent. Which is, obviously, funny.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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I have an unfortunate personality.
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Tact is the ability to describe others as they see themselves.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
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I have more information than anybody's ever had about this case. I have 7,000 letters from Aileen Wuornos and all the letters between her and her girlfriend.
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You say to me 'Show me your God.' I answer you, 'Everything you see in your heart that might sadden God, remove.'
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But films should be voyeuristic. What else is a film if you’re not snooping into somebody else’s lives?
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The whole conversation of my work has to do with power and who has it.
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I went to college in Atlanta, so I know that city.
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I did musicals. It's funny, because I can hide behind a character and a voice, but when I have to bring myself and my own voice to it, it's very nerve-wracking.
