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All the great writers root their characters in true human behaviour.
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In England, it's now Sir Ben. Mister has just disappeared. It's not even on my passport anymore. They've taken Mister away from me.
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As a singer, I might have fallen among thieves. I wonder if I'd still be alive by now.
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But filming is good for you, because the crew isn't allowed to laugh. You can't get addicted to getting the laugh.
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In cinema, the leading player is the director.
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
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If your best friend has stolen your girlfriend, it does become life and death.
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I think Romeo and Juliet is uplifting. That's how much a son wishes to avenge his father. That is how much two young people can love each other.
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I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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It is better for me to serve a charity as an actor or a voice, rather than at a luncheon being just a celebrity.
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I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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Movie magic is movie magic and acting magic is acting magic.
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I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
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But comedy I'd love to do as much as humanly possible.
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I don't honestly think people know what acting is.
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
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The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
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Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn't going to work.
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When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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There's so much crap talked about acting.
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I'm very in love with the fact that the camera is revolted by acting and loves behaviour.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it's such an extraordinary part of our lives.