Ashley Scott Quotes
I worked with her on the second season of Dark Angel in Vancouver, one of my first real jobs.
Quotes to Explore
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I never was for telephones. Just don't like them, that's all. Anybody wants to talk to you, they can come to see you.
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My interest in magic was kindled by Steve Martin, the comedian I'd gone to high school with.
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Eventually, I grew out of my interest in motorcycles because they're quite dangerous. I don't ride them anymore. But I have this history.
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I am more afraid of those who are terrified of the devil than I am of the devil himself.
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Creativity runs across many categories in life, from the arts-and-crafts project a mum or dad does with their kids, to the bestselling author's manuscript, to the designs of the hairdresser, to the creations of the computer programming genius.
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I don't really yell at people.
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I've worked with lots of musicians - like Tina Turner - and I love when they go in front of the fitting mirror and do their thing, pose, dance. I love that moment!
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When I came to MSNBC, its identity as the place for politics was growing.
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It should take you 15 minutes to make a song, and then get out of there.
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You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
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You know what it's like to wake up in the middle of the night with a vivid dream? And you know that if you don't have a pencil and pad by the bed, it will be completely gone by the next morning. Sometimes it's important to wake up and stop dreaming. When a really great dream shows up, grab it.
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The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
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There is so much life underneath the water that we don't know about.
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Los Angeles is a microcosm of the United States. If L.A. falls, the country falls.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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The magnificent cosmos is a palace that has the sun and the moon as its lamps and the stars as its candles; time is like a rope or ribbon hung within it, on to which the Glorious Creator each year threads a new world.
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I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.
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I did five seasons of 'Baywatch,' and I did four seasons of 'VIP.' I've been around awhile.
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The move towards neoliberalism in Britain was intimately bound up with the embrace of the U.S. as the country to be aped and copied.
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The more we invest in our spirituality, the more consistently we can elevate our consciousness and connect to the spiritual source of everything good.
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The thing about collaborators is that you don’t know you are one whereas as a member of the resistance, you do. In WWII, the worst cases of collaboration weren’t among the real collaborators, that official militia, but among the people at large, who were collaborators without knowing it, by a sort of laxity, an apathy.
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There is a curtain, thin as gossamer, clear as glass, strong as iron, that hangs forever between the world of magic and the world that seems to us to be real.
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For states in demographic decline with ever more lavish social programs, the question is a simple one: Can they get real? Can they grow up before they grow old? If not, then they'll end their days in societies dominated by people with a very different worldview.
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I worked with her on the second season of Dark Angel in Vancouver, one of my first real jobs.
