Ben Schnetzer Quotes
Quotes to Explore
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I think it was a good challenge for me to get my reactions across without being able to speak.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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When you're dealing with a new platform, the real trick is just getting the game running.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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It's got to be harder in real life to win a World Cup. But depending on if you play World Class level on FIFA, it's going to be difficult to win in the video game, too.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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Life is challenging but I'm always up for a challenge.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I don't like to just talk about nothing, or less than nothing. If it's something interesting, I'm fine with it, but, 'Hey, Zack, how is your day?' People ask that, and somebody actually tells them what happened in their day? I don't have any real interest in that.
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Relationships are hard. If as an actor you marry an engineer or a doctor, it's really hard for them because they don't understand what your life is like. We live two lives. We have a 'reel' life and a real life.
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It's difficult to make your clients understand that there are certain days that the market will go up or down 2%, and it's basically driven by algorithms talking to algorithms. There's no real rhyme or reason for that. So it's difficult. We just try to preach long-term investing and staying the course.
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Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
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In a real dark night of the soul, it is always three o'clock in the morning, day after day.
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I understand that sometimes when you're young it's difficult to remember the difference between real life and what is part of fantasy.
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But when I was a teenager, the idea of spending the rest of my life in a factory was real depressing. So the idea that I could become a musician opened up some possibilities I didn't see otherwise.
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Among many other things, a smartphone functions as a handheld digital sensor for the physical world. In other words, we don't necessarily need our real world things to be directly connected, when the Web interface in our mobile devices provides the network access and intelligence.
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For the longest, I was slightly naive when it came to the real world. There were a lot of fears I was afraid to conquer that were just holding me back from standing up for myself or taking chances.
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Suspense films are often based on communication problems, and that affects all of the plot points. It almost gives it kind of a fable feeling.
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Home is where your books are.
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I think by writing about a place with great specificity, you manage to make it universal.
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Obviously, as an actor, when you re playing a real person, it is an extra challenge.
