Aubrey Plaza Quotes
I just want to keep finding special characters that I feel like I can bring to life and characters that are real and not superficial.
Quotes to Explore
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What clients are really interested in is honesty, plus a baseline of competence.
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I would like to direct.
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I think it is more a cautiousness that protects me from enthusiasm about things. I tend not to get excited. People perceive it as a scowl, which is fair enough.
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I do hot yoga and TRX, a kind of suspension training.
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The really wonderful thing that happened to me when I was in space was this feeling of belonging to the entire universe.
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Politics and ethics belong to different worlds.
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I think I'm much too earnest to be as cool as 'Boyd Crowder'.
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If a person studies too much and exhausts his reflective powers, he will be confused, and will not be able to apprehend even that which had been within the power of his apprehension. For the powers of the body are all alike in this respect.
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Richard Lester is a wonderful director, a great comedy director, of course.
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If I were governor, and a bill came to my desk that provided for background checks at gun shows, I would sign that.
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Japan's biggest problems are conservatism and cowardice.
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Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.
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Athletes don't like to get up early, but it never bothered me.
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Never, for the sake of peace and quiet, deny your own experience or convictions.
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I love accents. It's a great way to separate yourself when playing a role.
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I have made this one dish, a salted caramel chocolate ganache tart. It's so rich. You can only have a few bites!
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I'm not going to jump out of airplanes or anything like someone else I know.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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Before the storm comes the calm. Hope you can take the heat like LeBron
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Everybody uses mime and gesture in real life, though we don’t realize it. It’s very useful as a performance technique, though it can be boring to watch on its own. As for radio, I had a wonderful teacher. I was hugely lucky. I didn’t want to play a robot, but the situation was an object lesson in fate taking over.
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I had forgotten until I looked up old notes that I sold the film rights of my first book, a life of Mary Wollstonecraft: there was a lunch, a contract, a small sum of money, then nothing.
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Everyone goes through adversity in life, but what matters is how you learn from it.
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In film, you can't go into analytical explorations because the audience will reject that.
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I just want to keep finding special characters that I feel like I can bring to life and characters that are real and not superficial.
