Marguerite Moreau Quotes
We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character.
Quotes to Explore
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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It is well known that my husband and Lady Thatcher enjoyed a very special relationship as leaders of their respective countries during one of the most difficult and pivotal periods in modern history. Ronnie and Margaret were political soul mates, committed to freedom and resolved to end Communism.
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Japan is already a leader in energy efficiency, and it has a wealth of innovative technologies. We must put this expertise to use creating a model for growth and sustainability that we can share with the world.
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I'm focused on energy only. And I know what I'm talking about. And I don't want to be distracted on other things.
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I think the fossil fuel industry is genuinely freaked out by the combination of the price collapse, the divestment movement, and that fact that renewable energy is getting so cheap so fast.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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Capitalism offers you freedom, but far from giving people freedom, it enslaves them.
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2016 is going to be a fight. A fight between conservatism and a Democrat Party that is undermining the very character of our nation.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I refuse to accept that the shackles of slavery can ever be stronger than the quest for freedom.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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If I write something, and I'm going to put in all that love and energy, I want to direct it.
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When you're devoted to a greater freedom in the world, you're willing to compromise something you love.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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As an actor, you have to find reasons why your character made her decisions, and you have to empathise with her.
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There's a creative freedom to comics, and a fulfillment I get out of panel layouts and storytelling that is hard for me to get anywhere else.
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If the topic be highly abstract, show its nature by concrete examples. If it be unfamiliar, trace some point of analogy in it with the known. If it be inhuman, make it figure as part of a story. If it be difficult, couple its acquisition with some prospect of personal gain. Above all things, make sure that it shall run through certain inner changes, since no unvarying object can possibly hold the mental field for long.
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Nick Jonas and Joss Carter were in love.
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We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character.
