Marianne Elliott Quotes
The plays I choose to work on are about having masks. We all have masks in life, but there is a different inner life going on. The audience has to work hard to see what is going on. I love what is not on display.
Quotes to Explore
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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Sadly, for some mothers, this experience can be made so much harder due to challenges with our very mental health.
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To be thrown onto the stand-up stage is an experience that you cannot fathom until you're actually there, because there's no place to go, and everyone is looking at you and you can't even see them because of the lights. And yet you have to manage to start talking and be funny on top of it.
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I grew up on cricket and I think Australian kids are getting so Americanized, you know?
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I love writers. All of my best friends are writers.
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At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
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Renouncement: the heroism of mediocrity.
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Every teenager and everybody around the ages from 10 to 18 has to go through finding out who they are.
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Religious fundamentalists in Bangladesh have always argued for a ban on my books.
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Dancing has always been a passion of mine.
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I wish I wasn't so in love, wasn't so interested, in the Internet. I wish I spent less time online and more time outside and in my head. Writing requires solitude and deep, deep daydreaming, and the Internet just kills that - its lure is toward the external; it asks you to flit from place to place.
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I don't like to take a lot of stuff since I'm really sensitive to medications.
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When the curtain falls, the best thing an actor can do is to go away.
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Only the old are innocent. That is what the Victorians understood, and the Christians. Original sin is a property of the young. The old grow beyond corruption very quickly.
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I still enjoy doing music. I'm not going to stop doing it, and doing it the way that I feel it should be done.
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I was doing comedy in laundry mats in 1992, literally where I would bring a little gorilla amp and a lapel mike and just start performing.
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The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
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Winning one league title at Roma, to me, is worth winning 10 at Juventus or Real Madrid.
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We're not living in a one-dimensional society. You can't just talk about, you know, the horrible things in life and the destruction.
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From a worldly point of view, there is no mistake so great as that of being always right.
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London has always been my favourite city. I visit it almost every other year.
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I take my work enormously seriously. When I do something, it has to feel right. Everything has to be right.
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When I'm working in television, I've learned you've got to work fast. You don't have time to rehearse; you don't have time to just mess around. You've got to move quickly. So I pick that up from that world, and I also pick up the idea of development of character and development of situations.
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The plays I choose to work on are about having masks. We all have masks in life, but there is a different inner life going on. The audience has to work hard to see what is going on. I love what is not on display.
