Marianne Elliott Quotes
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'War Horse' is just an extraordinary being.
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A bad audition is usually the director's fault, not the actor's. It's up to the director to get the atmosphere right to get the best out of your auditionees.
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If it is just another run-of-the-mill show, then what is the point?
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I had a very embarrassing time acting extremely badly at university, which is when directing suddenly became so attractive.
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I felt like that growing up - that I didn't have a voice.
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We're always steered towards what is good in the canon by a male perspective. I like to do plays with a female protagonist who finds her way through. My way is unusual.
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In subsidized theater, you are encouraged to take risks. It's about being imaginative and artistic. That's the priority. It might not be a success, but let's try.
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I find theater emotionally expensive and all-involving. You have to pour so much blood and passion and heart into it. And so much time. Why do that for something that's only vaguely interesting and anyone can do it?
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I always loved and secretly wanted to do 'Company.' It was produced on Broadway in 1970, and it's about a successful 35-year-old guy who's starting to think he should get married.
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I just think that you have to approach anything you do with a huge amount of integrity - I don't really care where it comes from, whether it's a children's piece or an adult piece.
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I'm always drawn to female stories with female protagonists, and I particularly yearn for more older actresses to take centre stage in 2018.
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It's difficult to find an actress prepared to play a fading star.
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Having a child is all-consuming; so is doing a play.
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My father was a director, and my mother and grandparents were actors, so I spent a great deal of my time as a teenager trying to get away from the theatre.
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Whether you're a man or a woman, life can be very, very difficult and confusing and desperate, and it's life-enhancing to know that somehow, there is a way through it.
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My dad had a big influence on me, and although I was never very bright at school, I used to love philosophising with him about big universal things - and I think that's what directing is.
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I never want to see 'Hamlet' ever again! Never ever!
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For me, 'Angels in America' is not really about AIDS. For me, it's a metaphor for anybody who is struggling with serious illness or having to face their own demise. All of the characters face some form of destruction in themselves.
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The better the acting is, the less visible the director and the less visible the actor.
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I'm quite unusual in directing terms: I'm a woman. I'm quite a girly girl. I was never academic.
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I hope for continued bravery and risk-taking for all theatremakers in 2018 and beyond.
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The actors work out how to create the show with me during the rehearsals. They owe it to themselves and each other to maintain that contract regardless of what the critics say.
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I'm really fascinated by other directors' methods. I've done a lot of learning by observation.
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I've enjoyed lots of productions, and it's always been down to the actors I've been working with.