Dua Lipa Quotes
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
Quotes to Explore
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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I don't think anyone should write their autobiography until after they're dead.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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The reason I like Portland is the idea of going to a supermarket and knowing there's no way to be recognized. L.A. is so social.
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To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak – they've always got steel in them.
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I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.
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That's the mark of a great storyteller, never to give away secrets in advance.
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I get really insecure because even though I can speak in musician's terms, I don't know as much as real musicians.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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I guess you could say I'm a model slash hotelier slash actor slash screenwriter.
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Heaven is long-enduring, and earth continues long. The reason why heaven and earth are able to endure and continue thus long is because they do not live of, or for, themselves.
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Our founders said that everybody mattered, everybody counted. But we all know that they didn't count everybody at the beginning. They did somehow have confidence that each generation of Americans would do a better job with it and would bring more and more people in from the margins and into the heart and soul of our democracy.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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It's a very rare and fortunate position to be able to make movies with two of your best friends who happen to be really amazing actors and writers.
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I like to read in the bathtub. Ideally, that bathtub would be located on a small Greek island.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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The poetry of this one is called philosophical, of that one philological, of a third rhetorical, and so on. Which is then the poetic poetry?
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I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.
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I love the sea.
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I don't mean to sound like a cheap prostitute, but you can call me what you like.
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I'm a latecomer to the environmental issue, which for years seemed to me like an excuse for more government regulation. But I can see that in rich societies, voters are paying less attention to economic issues and more to issues of the spirit, including the environment.
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When you have to choose among methods, your locus of attention is drawn from the task and temporarily becomes the decision itself.
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It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
