Mick Jagger Quotes
Samba rhythm is a great one to sing on, but it's also got some other suggestions in it, an undercurrent of being primitive - because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it.
Quotes to Explore
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If I had a big brother who was a year older than me or something, I probably wouldn't have ended up being a filmmaker.
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Genius goes around the world in its youth incessantly apologizing for having large feet. What wonder that later in life it should be inclined to raise those feet too swiftly to fools and bores.
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Every burn on my body has had its own different personality. And all of them needed different things.
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I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
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When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.
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I have now exactly the same weight I had when I was 18, 20.
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In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
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I like Disney Channel a lot, and I also like to watch 'Full House.'
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Hindi films are so deceptive. I thought Mumbai was this big, grand, beautiful city with sea-facing flats.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
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My first love was acting. I went to Sidney Poitier films as a kid. I sat in the theater and dreamed of being an actor.
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I think I surprise some people because a lot of the time, I roll out of bed and go to school, and it's like I don't wear anything that interesting sometimes.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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Posthumous reputations have little to do with real lives.
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The room-service Caesar salads with soggy croutons, the distant relatives who show up at readings pitching weird, far-fetched investment schemes, the fans who have you sign a book to 'Cathy' and then tell you, 'No, it's Kathy with a K' - it gets challenging after a while. It tests your stamina.
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I've probably done more than a thousand interviews, and I can't remember what people asked me two months ago or two days ago.
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I hear my songs being sung by females before I change them and make them into my voice.
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I have an awesome church home and an awesome Pastor down in L.A., and I couldn't be happier.
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Lack of persistence is one of the major causes of failure. Moreover, experience with thousands of people has proved that lack of persistence is a weakness common to the majority of men. It is a weakness which may be overcome with effort.
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So many people have this idea: I want to achieve something great or be somebody great. And they neglect the step that leads to greatness. They don't honor this step at this moment because they have this idea of some future moment where they are going to be great.
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I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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Samba rhythm is a great one to sing on, but it's also got some other suggestions in it, an undercurrent of being primitive - because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it.
