Rivers Cuomo Quotes
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The most nerve-wracking experience is an oral presentation in class. And right under that would be doing 'Saturday Night Live' or 'David Letterman.' One of those shows.
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Rock and Roll Over' was the first Kiss album I heard, but I was totally oblivious to their whole image and the makeup and all that. I was so out of touch with the wider world.
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I think audiences sometimes mistakenly assume a quality performance comes from some great emotional disturbance rather than really intense concentration. Concentration and flow is what it's all about.
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People think I'm a freak or something, but I'm actually a really normal guy.
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Weezer isn't stuck in roles, so we just do what we want to do, what makes us excited.
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I signed up for eHarmony once, and it took three hours to fill out that online form - so many personal questions. Then I clicked on submit, and instantaneously they responded and said, 'We are sorry, but there is no one any where in the world that is appropriate for you.' So that was it - I gave up.
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The truth is, I hate to perform. I get such bad stage fright, it makes me physically ill.
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I've always seen myself as a grown-up. Since I was a little kid.
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Probably the most reliable comfort music for me over the years has been Bach.
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I feel so much feedback in a very profound way from the 10,000 people who are listening to me, watching me. I just get this deep sense of what works and what doesn't work.
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It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.
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I've done a few things on the side here and there, but there is not much reason to do so in a sustained way. I'm generally able to say what I want to say within the context of Weezer.
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Being in Weezer's just gotten so much more fun over the years. I love almost every part of my job. My very favorite part is working on new songs.
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I just gotta keep reminding myself: Every time I do an interview or something, my volition really has to be just to serve, to help people. Not to feel like I'm important.
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With no faith, purely as a scientific experiment, I started meditating and watched if it changed my music. It did, but it didn't make it more mellow. It made it easier to get into the flow of creativity.
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Even at your best, the creative moments are still kind of fleeting.
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I've always thought of myself as so unsuited to be a frontman.
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I think I've been skeptical of violent passion for a long time. I think 'Pinkerton' is about that a lot - seeing how, every time I've felt really passionate for someone, as soon as I 'acquire' them or feel like I've acquired them, the passion goes away.
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When 'Nevermind' came out, my roommate had the CD. At first, I actually thought, 'This is too polished and commercial.' It was a little off-putting. But then I was like, 'This is the best music ever.' It felt so close to what I wanted to do.
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I have a natural instinct to feel guilty and that I've let people down. I've apologized in more songs than 'Back to the Shack.' Going back to our second record, the closing lines are 'I'm sorry, I'm sorry, I'm sorry.' It's definitely part of my personality.
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I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.
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I decided to try celibacy because I heard it would help the meditation, and I tried meditation because I heard it would help with the music. So, it all really comes back to the music.
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I meditate two hours a day, and every year I do one big long meditation course. I love it, and I'm really into it.
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Most people don't really need to hear a six-minute guitar solo that modulates between five keys and time signatures. What they want is a good song.