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I've done a few things on the side here and there, but there is not much reason to do so in a sustained way. I'm generally able to say what I want to say within the context of Weezer.
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I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure.
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I've always thought of myself as so unsuited to be a frontman.
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I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.
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Rock guitar has been around for decades now, and there are so many strong traditions, and so much of it is just burned into my fingers. So, nine times out of 10, when I pick up the guitar to jam something, it sounds pretty cliche.
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When 'Nevermind' came out, my roommate had the CD. At first, I actually thought, 'This is too polished and commercial.' It was a little off-putting. But then I was like, 'This is the best music ever.' It felt so close to what I wanted to do.
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Most people don't really need to hear a six-minute guitar solo that modulates between five keys and time signatures. What they want is a good song.
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I meditate an hour in the morning and an hour in the evening. Once a year I go away for a long retreat. And overall, I just feel more comfortable in my own skin and less anxious, less sad, less fearful.
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I think if I wasn't a musician, I would be a high-school band director or orchestra director. I like working with large groups of musicians and bringing out the dynamics and accomplishing something as a team.
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At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
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Meditation hasn't separated me from my life and my friends and my work. It's just made my fear go away, so I can just be that much more engaged.
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I didn't get as much attention as I wanted from girls as a teenager. I thought that if I became a rock star, I would finally get all that I wanted - but it didn't happen.
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I listen to music a lot on the treadmill - I would test 'Raditude' songs out on the treadmill.
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I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.
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When I was 15 and dreaming about being a rock star... I thought the whole point of it was to get chicks.
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I think probably with any performer, but maybe with rock music especially, the audience wants to see the singer being real, and exploring, and not doing a rehearsed routine, so I'm just constantly looking for new things to try. I'm really curious out there, and my curiosity has led me into all kinds of bizarre situations.
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I have some good books of Bach keyboard music transcribed for guitar, and there's always a nylon-string guitar hanging on the wall in my house and a bunch of classical guitar books to grab. I kind of do that just for fun.
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I think I'm a good dad. It's hard. Ultimately, it's our kids that have the final word. So we'll have to ask them.
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I like to get input from all different kinds of listeners, including the really conservative ones, and sometimes those listeners steer me in a direction that I haven't seen. But at the end of the day, my vote is always to go in the direction that makes me the most excited.
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I was fixated on Prince's 'Black Album' for a long time.
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What I am best at is reading a book and then writing a critical essay.
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I can't imagine Weezer stopping. We just love doing what we're doing, and I think we'll keep going until we fall down dead. Even if the audience is abandoning us, I can't imagine doing anything else!