David Bowie (David Robert Jones) Quotes
I had enormous self-image, problems and very low self-esteem, which I hid behind obsessive writing and performing. It's exactly what I do now except I enjoy it now. I'm not driven like I was in my twenties. I was driven to get through life very quickly.
Quotes to Explore
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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A plan is always successful if the plan is good.
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My reading of philosophy and history is desultory; I know so much and yet so little.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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It's kinda all about image.
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Once you begin being naughty, it is easier to go and on and on, and sooner or later something dreadful happens.
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A barrier for me – which has been both a strength and a weakness – has been my taste. The kind of things I'm interested in aren't always mainstream.
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We are at our very best, and we are happiest, when we are fully engaged in work we enjoy on the journey toward the goal we've established for ourselves. It gives meaning to our time off and comfort to our sleep. It makes everything else in life so wonderful, so worthwhile.
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The art world was not initially really accepting my kind of work. I was ahead of my time.
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Losing their reproductive rights is the first step to how women live in Saudi Arabia and Afghanistan.
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I think the virtue I prize above all others is curiosity. If you look really hard at almost anybody, and try to see why they're doing what they're doing, taking a dig at them ceases to be what you want to do even if you hate them.
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79: A year spent in artificial intelligence is enough to make one believe in God.
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When we started Aventura, I think a lot of - the reason why we became so successful besides, you know, doing good music, was also the fact that it was unique and different and never done.
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When you get that signing bonus, don't start thinking about all the things you can do with $1 million.
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Before 'Memphis,' I had never considered working on a musical. But when Joe DiPietro sent me the script, I heard the entire score in my head.
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'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
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And I definitely do that very British thing of, take things with a pinch of salt, stiff upper lip, you know what I mean?
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'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
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The second book was probably the result of the relationship I was in at the time. We were only going to be compatible for a minute, and I think we both knew it. It's like how you can be a different person on vacation, but you know all along you're just visiting that mindset.
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I always wish I could go back and see the people that I love as children.
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We should not clap our hands and mourn, for he is out of trouble. You are still in it.
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People aren't throwing themselves at me, but I also don't go out very much. Like, when I do go out, it's for breakfast, so it's a little hard to throw yourself at me during breakfast.
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I had enormous self-image, problems and very low self-esteem, which I hid behind obsessive writing and performing. It's exactly what I do now except I enjoy it now. I'm not driven like I was in my twenties. I was driven to get through life very quickly.
