David Bowie (David Robert Jones) Quotes
Quotes to Explore
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I was lucky enough to go home and raise our babies.
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My brother is the former mayor of Baltimore.
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If you date one woman a year, times 10 years, and that's 10 women.
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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Shimeji are those odd-looking clusters of small mushrooms you often find in so-called 'exotic' selections at the supermarket. They have an appealing firmness that is retained during light cooking.
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The first requisite for the happiness of the people is the abolition of religion.
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.
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Twenty20 is cricket on speed. In an era of hectic lifestyles and falling attention spans, it gives spectators more drama and intensity in three hours that they would get from a whole-day match. And even though it is a heady cocktail of money, entertainment and media, at its core it is cricket.
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I'm an emotional person.
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There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself.
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Misanthropy is born, I think, out of an almost oppressive sense of loneliness, a conviction that there's no one on earth who understands you. I don't think misanthropes hate people: They hate that people hate them.
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I love hugging people. I still hug everybody in my meet-and-greet lines.
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When I was writing 'Shotgun,' it's one of the first songs that's come to me as an image.
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I met Bill Clinton; he's a very nice guy. Yeah, Bill Clinton's cool.
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Science is the pursuit of pure truth, and the systematizing of it.
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For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.
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At the Summer Solstice, all is green and growing, potential coming into being, the miracle of manifestation painted large on the canvas of awareness. At the Winter Solstice, the wind is cold, trees are bare and all lies in stillness beneath blankets of snow.
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What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
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All in November's soaking mist We stand and prune the naked tree, While all our love and interest Seem quenched in the blue-nosed misery.
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Once we can see how this question of freedom of the will has been vitiated by post-romantic philosophy, with its inbuilt tendency to laziness and boredom, we can also see how it came about that existentialism found itself in a hole of it’s own digging, and how the philosophical developments since then have amounted to walking in circles round that hole.
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The highest level of creativity consists in being, not doing.
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Nothing prepared me for your smile