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I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
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I'm bemused by the whole Robbie Williams aspect of British pop. Posh Spice? It all looks like cruise ship entertainment to me.
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Some of us, I think, us small, pompous arty ones probably read too much George Steiner and kind of got the idea that we were entering to this kind of post-culture age and that we'd better do something postmodernist - quickly, before somebody else did.
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I think I am a lot more relaxed about what I have or haven't done.
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Love is every type of relationship that you think of... I'm sure it means relationship, every type of relationship that you can think of.
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She asked for my love and I gave her a dangerous mind.
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Money goes to money heaven, body goes to body hell.
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I've always been very chauvinistic, even in my boy-obsessed days. But I was always a gentleman. I alwaysd treated my boys like real ladies. Always escorted them properly and, in fact, I suppose if I were a lot older - like 40 or 50 - I'd be a wonderful sugar daddy to some little queen down in Kensington. I'd have a houseboy named Richard to order around.
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I think the first experience scared the hell out of me. Within months of my initial marriage [on Angela Bowie], I realized I had done a really naive and rather stupid thing. . . . I don't think either of us had any real resolve about being together. The result was it made me wary of relationships.
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What I like doing is writing and recording and much more on the, I guess, the - on that creative level. It's fun interpreting songs and all that, but I wouldn't like it as a living.
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David Bowie emerged as a rock star in the late '60s. And as Ken Tucker wrote, "In the face of the hippy era's sincerity, intimacy and generosity, Bowie presented irony, distance and self-absorption. His song 'Changes' announced the arrival of a new counterculture," unquote.
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Sits like a man, but smiles like a reptile.
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Everywhere I looked, demons of the future [were] on the battlegrounds of one’s emotional plane.
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I believe in Beatles, I believe my little soul has grown.
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People got extremely comfortable with being able to turn on their television and see MTV say, "This guy's hot you should buy this record."
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My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.
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Elvis was a major hero of mine. I was probably stupid enough to believe that having the same birthday as him actually meant something.
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Hear this Robert Zimmerman, I wrote a song for you, about a strange young man called Dylan with a voice like sand and glue.
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Listen to me, don't listen to me. Talk to me, don't talk to me.
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I'm wary of the word glam because I think that became the all-inclusive term with for any bloke with lipstick on, which is fine, you know, and that's what it is when it comes down to the public level.
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Oooh, fashion, we are the goon squad and were coming to town, beep beep.
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When I was 9 years old, I wanted to be the baritone sax player in the Little Richard band.
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I turned myself to face me, but I've never caught a glimpse of how the others must see the faker.
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There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.