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I felt I really wanted to back off from music completely and just work within the visual arts in some way. I started painting quite passionately at that time.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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A lot of people provide me with quotes. They suggest all kinds of things to say and I do, really, because I'm not very hip at all.
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To not be modest about it, you'll find that with only a couple of exceptions, most of the musicians that I've worked with have done their best work by far with me.
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Questioning my spiritual life has always been germane to what I was writing. Always. It's because I'm not quite an atheist and it worries me. There's that little bit that holds on: 'Well, I'm almost an atheist. Give me a couple of months.'
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Everywhere I looked, demons of the future [were] on the battlegrounds of one’s emotional plane.
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I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man's-land of the living room, you know, and out the front hall.
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[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
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Oooh, fashion, we are the goon squad and were coming to town, beep beep.
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Elvis was a major hero of mine. I was probably stupid enough to believe that having the same birthday as him actually meant something.
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[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
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The humanists' replacement for religion: work really hard and somehow you'll either save yourself or you'll be immortal. Of course, that's a total joke, and our progress is nothing. There may be progress in technology but there's no ethical progress whatsoever.
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I don't expect the human race to progress in too many areas. However, having a child with an ear infection makes one hugely grateful for antibiotics.
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Critics I don't understand. They get too intellectual. They're not very well-versed in street talk; it takes them longer to say it. So they have to do it in dictionaries and they take longer to say it.
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I'm very shy. That's probably one of the reasons I got so heavily into drugs.
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For here Am I sitting in a tin can, Far above the world. Planet Earth is blue, And there's nothing I can do.
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My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.
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I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
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Never bored, so I'll never get old
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The truest form of any form of revolutionary left, whatever you want to call it, was Jack Kerouac, E.E. Cummings, and Allan Ginsberg's period. Excuse me but that was where it was at. The hippies, I'm afraid, don't know what's happening.
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I had to resign myself, many years ago, that I'm not too articulate when it comes to explaining how I feel about things. But my music does it for me, it really does.
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People look to me to see what the spirit of the Seventies is.
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My sexual nature is irrelevant. I'm an actor, I play roles, fragments of myself.
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Once I've written something it does tend to run away from me. I don't seem to have any part of it - it's no longer my piece of writing.