David Bowie Quotes
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I'm in awe of the universe, but I don't necessarily believe there's an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is powerful and provocative, whether Buddhist or Catholic.
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I turned myself to face me, but I've never caught a glimpse of how the others must see the faker.
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It's true - I am a bisexual. But I can't deny that I've used that fact very well. I suppose it's the best thing that ever happened to me.
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Listen to me, don't listen to me. Talk to me, don't talk to me.
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I started playing around with local rock band swith the alto. And then, in a nutshell, somebody fell ill one night, the lead singer of one of the bands, and they knew I could sing, so they asked me if I would stand in. And I quite enjoyed it, actually, I must say, at 14. It was a real trip to have girls wave at you and smile and everything just because you opened your mouth and sang.
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I think Lindsay Kemp really introduced me to the work of Jean Genet, and through that, I kind of kept re-educating myself about other prose writers and poets.
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Rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable.
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[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
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I don't live for the stage. I don't live for an audience.
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It is entirely possible to create something totally artificial within the realms of rock and roll.
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I kind of miss that "becoming" stage, as most times you really don't know what's around the corner. Now, of course, I've kind of knocked on the door and heard a muffled answer. Nevertheless, I still don't know what the voice is saying, or even what language it's in.
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What I like doing is writing and recording and much more on the, I guess, the - on that creative level. It's fun interpreting songs and all that, but I wouldn't like it as a living.
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It's odd but even when I was a kid, I would write about 'old and other times' as though I had a lot of years behind me. Now I do, so there is a difference in the weight of memory.
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People look to me to see what the spirit of the Seventies is.
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I'm rather kind of old school, thinking that when an artist does his work it's no longer his.
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I think much has been made of this alter ego business. I mean, I actually stopped creating characters in 1975 - for albums, anyway.
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It's only forever... Not long at all.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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Some people are marching together and some on their own. Others are running, the smaller ones crawl. But some sit in silence.
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What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.
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I'm not a prophet or a stone aged man, just a mortal with potential of a superman. I'm living on.
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I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man's-land of the living room, you know, and out the front hall.
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We can't stop trying til we break up our minds, til the sun drips blood on the seedy young knight.
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For here Am I sitting in a tin can, Far above the world. Planet Earth is blue, And there's nothing I can do.