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It is entirely possible to create something totally artificial within the realms of rock and roll.
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I guess, - a greater number of the 26 or so albums that I've made are known in Europe than they are in America.
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The media is either our salvation or our death.
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That's the shock: All cliches are true. The years really do speed by. Life really is as short as they tell you it is. And there really is a God - so do I buy that one? If all the other cliches are true... Hell, don't pose me that one.
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Keep your 'lectric eye on me babe Put your ray gun to my head Press your space face close to mine, love Freak out in a moonage daydream, oh yeah!
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I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man's-land of the living room, you know, and out the front hall.
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I'm very at ease, and I like it. I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older you become the person you always should have been, and I feel that's happening to me. I'm rather surprised at who I am, because I'm actually like my dad!
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I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
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I always write well in New York.
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I'm not sure that an art career would have any benefit for me; I'm not sure it's what I want. I don't think I want to be a designer-rock artist.
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It makes me sad when I see artists who come alive when they go onstage, because, gee, I really come alive when I'm home.
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I kind of miss that "becoming" stage, as most times you really don't know what's around the corner. Now, of course, I've kind of knocked on the door and heard a muffled answer. Nevertheless, I still don't know what the voice is saying, or even what language it's in.
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Nearly all the synth work on Heathen is mine and some of the piano.
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[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
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[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
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The humanists' replacement for religion: work really hard and somehow you'll either save yourself or you'll be immortal. Of course, that's a total joke, and our progress is nothing. There may be progress in technology but there's no ethical progress whatsoever.
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Ironically, style doesn't come even closely related to fashion. It's got nothing to do [with clothes].
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Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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To not be modest about it, you'll find that with only a couple of exceptions, most of the musicians that I've worked with have done their best work by far with me.
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I don't expect the human race to progress in too many areas. However, having a child with an ear infection makes one hugely grateful for antibiotics.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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It's true - I am a bisexual. But I can't deny that I've used that fact very well. I suppose it's the best thing that ever happened to me.
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I ask for so little.Just fear me, love me, do as I say and I will be your slave
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I don't believe in proper cinema; it doesn't have the strength of television. People having to go out to the cinema is really archaic. I'd much rather sit at home.