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We can't stop trying til we break up our minds, til the sun drips blood on the seedy young knight.
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I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
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Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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I'm not sure that an art career would have any benefit for me; I'm not sure it's what I want. I don't think I want to be a designer-rock artist.
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I guess, - a greater number of the 26 or so albums that I've made are known in Europe than they are in America.
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Rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable.
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I don't expect the human race to progress in too many areas. However, having a child with an ear infection makes one hugely grateful for antibiotics.
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[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
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I don't live for the stage. I don't live for an audience.
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I always write well in New York.
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Illusion I will be, for I've never been a sinner.
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Critics I don't understand. They get too intellectual. They're not very well-versed in street talk; it takes them longer to say it. So they have to do it in dictionaries and they take longer to say it.
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There seem to be a lot of black artists making very good videos that I'm surprised aren't being used on MTV.
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It's not the side-effects of the cocaine - I'm thinking that it must be love. It's too late to be grateful, It's too late to be hateful, It's too late to be late again, The European cannon is here.
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I don't believe in proper cinema; it doesn't have the strength of television. People having to go out to the cinema is really archaic. I'd much rather sit at home.
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I spent so much time in my bedroom. It really was my entire world. I had books up there, my music up there, my record player. Going from my world upstairs out onto the street, I had to pass through this no-man's-land of the living room, you know, and out the front hall.
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There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
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I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
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I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
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A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
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To not be modest about it, you'll find that with only a couple of exceptions, most of the musicians that I've worked with have done their best work by far with me.
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People look to me to see what the spirit of the Seventies is.
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The character thing really is sort of, for me, personally, rather ancient history.