David Bowie Quotes
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Some make you sing and some make you scream. One makes you wish that you'd never been seen. But there's a shop on the corner that's selling papier mache, making bullet-proof faces, Charlie Manson, Cassius Clay. If you want it, boys, get it here, thing.
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Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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I surrounded myself with people who indulged my ego. They treated me as though I was Ziggy Stardust or one of my characters, never realising that David Jones might be behind it.
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The name Bowie just appealed to me when I was younger. I was into a kind of heavy philosophy thing when I was 16 years old, and I wanted a truism about cutting through the lies and all that.
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At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
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I'd rather stay here with all the madmen than perish with the sadmen roaming free.
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There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
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There's a good television programme called 'Disco 2.' It's quite good but again it's average, average. It's all on a down play. You know we've got this thing in England to be hip is to speak very down - like John Peel. And that just about sums up England. They don't realize when they talk like that, then that is what they represent - absolutely.
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This is a mad planet," David Bowie said in 1971. "It's doomed to madness.
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The only time that I've adopted characterization again since that point, for my own albums, has been an album called "Outside" that I did with Brian Eno.
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I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
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Mine is really - Ziggy Stardust, characters, "Let's Dance." That's me in the American.
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Nothing prepared me for your smile
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Sometimes you stumble across a few chords that put you in a reflective place.
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You would think that a rock star being married to a super-model would be one of the greatest things in the world. It is.
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I was told that it was cool to fall in love, and that period was nothing like that to me. I gave too much of my time and energy to another person and they did the same to me and we started burning out against each other. And that is what is termed love.
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Am I Machiavellian? I don't think I'm quite the mastermind people would have me be. Everything I do tends to be very successful and it may have something to do with the fact that I'm very good, not necessarily that I manipulate. But that doesn't often occur to people.
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Every time I've made a radical change it's helped me feel buoyant as an artist
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I'm just an individual who doesn't feel that I need to have somebody qualify my work in any particular way. I'm working for me.
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A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
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I really believe that Bob Dylan and others have speeded up the changes. Pacifism has found a voice at last.
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In fact, in Europe, I'm more kind of this bloke what writes lots of stuff.
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I think hip-hop is actually one of the most challenging things that's happened in music in a long time.
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Pop stars are capable of growing old. Mick Jagger at 50 will be marvelous - a battered old roue - I can just see him. An aging rock star doesn't have to opt out life. When I'm 50, I'll prove it.