David Bowie Quotes
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There's just some dysfunctionalism with artists. There are good things and bad things about being an artist, and the good thing is, sometimes you get an inside line on what's really happening. You develop these strange antennae that clue you in to what's really going on.
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There's a good television programme called 'Disco 2.' It's quite good but again it's average, average. It's all on a down play. You know we've got this thing in England to be hip is to speak very down - like John Peel. And that just about sums up England. They don't realize when they talk like that, then that is what they represent - absolutely.
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It was like treading water all through the '60s, and when 1970 kicked in, I thought "We're here. Right." God, this is exciting. I'm going to go for it now. I really felt it was my time. Then Marc Bolan did it first. That really pissed me off.
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The sun machine is coming down, and we're gonna have a party.
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Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."
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I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
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I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
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Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
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Mine is really - Ziggy Stardust, characters, "Let's Dance." That's me in the American.
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It is amazing how a new child can refocus one's direction seconds after its birth. Everything falls into a feeling of 'rightness'.
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In fact, in Europe, I'm more kind of this bloke what writes lots of stuff.
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I never really had much of an interest in fashion.
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It's a compulsive need to wreck everything. You might notice there's a pattern of stripping down and building back up again throughout my life. But I guess that's how some of us conduct our lives.
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On "Tonight" I think I was torn dreadfully between writing what I wanted to write, but keeping it in a style that would follow up what I had just done. That's where I feel I was untrue to myself as an artist . . . that album and, to a lesser extent, "Never Let Me Down."
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The name Bowie just appealed to me when I was younger. I was into a kind of heavy philosophy thing when I was 16 years old, and I wanted a truism about cutting through the lies and all that.
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I can't keep my fingers out of any pies.
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Sometimes you stumble across a few chords that put you in a reflective place.
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I'd rather stay here with all the madmen than perish with the sadmen roaming free.
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I'm very at ease, and I like it. I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older you become the person you always should have been, and I feel that's happening to me. I'm rather surprised at who I am, because I'm actually like my dad!
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I'm wary of the word glam because I think that became the all-inclusive term with for any bloke with lipstick on, which is fine, you know, and that's what it is when it comes down to the public level.
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I surrounded myself with people who indulged my ego. They treated me as though I was Ziggy Stardust or one of my characters, never realising that David Jones might be behind it.
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In order to look special wearing the chancy unique; it must be worn with your persona, and if the two don't blend, then the look becomes pear-shaped.
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I wanted to prove the sustaining power of music.