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I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
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The sun machine is coming down, and we're gonna have a party.
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You should turn around at the end of the day and say I really like that piece of work, or that piece of work sucked. Not, was that popular or wasn't it popular?
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It took me a long time to reach the bottom and it went through various stages. I went from drugs into an alcohol stage. For a while, one feels, "Ah, I've kicked drugs," but what I discovered was I had another addiction instead.
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There's just some dysfunctionalism with artists. There are good things and bad things about being an artist, and the good thing is, sometimes you get an inside line on what's really happening. You develop these strange antennae that clue you in to what's really going on.
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Mine is really - Ziggy Stardust, characters, "Let's Dance." That's me in the American.
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On "Tonight" I think I was torn dreadfully between writing what I wanted to write, but keeping it in a style that would follow up what I had just done. That's where I feel I was untrue to myself as an artist . . . that album and, to a lesser extent, "Never Let Me Down."
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In fact, in Europe, I'm more kind of this bloke what writes lots of stuff.
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I've been putting out the fire with gasoline.
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There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
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It's a compulsive need to wreck everything. You might notice there's a pattern of stripping down and building back up again throughout my life. But I guess that's how some of us conduct our lives.
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The name Bowie just appealed to me when I was younger. I was into a kind of heavy philosophy thing when I was 16 years old, and I wanted a truism about cutting through the lies and all that.
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I'd rather stay here with all the madmen than perish with the sadmen roaming free.
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I'm wary of the word glam because I think that became the all-inclusive term with for any bloke with lipstick on, which is fine, you know, and that's what it is when it comes down to the public level.
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Sometimes you stumble across a few chords that put you in a reflective place.
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A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
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I can't keep my fingers out of any pies.
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I heard the news today, oh boy.
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And it's always the same kind of artist, I think, who has more enjoyment being slightly on the outside of things, who doesn't want to be sucked into the tyranny of the mainstream. Because once you get sucked into that, you're dead as an artist.
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I'm very at ease, and I like it. I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older you become the person you always should have been, and I feel that's happening to me. I'm rather surprised at who I am, because I'm actually like my dad!
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I was always accused of being cold and unfeeling. It was because I was intimidated about touching people.
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I don't like talk and I don't like talkers. Like Ma Barker. That's what she always said, 'Ma Barker doesn't like talk and she doesn't like talkers.' She just sat there with her gun.
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It was like treading water all through the '60s, and when 1970 kicked in, I thought "We're here. Right." God, this is exciting. I'm going to go for it now. I really felt it was my time. Then Marc Bolan did it first. That really pissed me off.
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The media is either our salvation or our death.