David Bowie Quotes
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I was told that it was cool to fall in love, and that period was nothing like that to me. I gave too much of my time and energy to another person and they did the same to me and we started burning out against each other. And that is what is termed love.
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I ask for so little.Just fear me, love me, do as I say and I will be your slave
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Funk, I don't think I have anything to do with funk. I've never considered myself funky.
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Sometimes you stumble across a few chords that put you in a reflective place.
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The name Bowie just appealed to me when I was younger. I was into a kind of heavy philosophy thing when I was 16 years old, and I wanted a truism about cutting through the lies and all that.
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I'd rather stay here with all the madmen than perish with the sadmen roaming free.
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A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
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If I put faith in medication, if I can smile a crooked smile, if I can talk on television, if I can walk an empty mile.
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It's a compulsive need to wreck everything. You might notice there's a pattern of stripping down and building back up again throughout my life. But I guess that's how some of us conduct our lives.
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The media is either our salvation or our death.
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I'm rather kind of old school, thinking that when an artist does his work it's no longer his.
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I can't keep my fingers out of any pies.
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There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
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And it's always the same kind of artist, I think, who has more enjoyment being slightly on the outside of things, who doesn't want to be sucked into the tyranny of the mainstream. Because once you get sucked into that, you're dead as an artist.
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I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
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I don't like talk and I don't like talkers. Like Ma Barker. That's what she always said, 'Ma Barker doesn't like talk and she doesn't like talkers.' She just sat there with her gun.
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I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
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Rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable.
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I think I quite desperately wanted to have that kind of special companionship [like marriage ] . . . a special relationship, yet I hid from it for many, many years and pretended to be cynical about it.
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I was always accused of being cold and unfeeling. It was because I was intimidated about touching people.
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We can't stop trying til we break up our minds, til the sun drips blood on the seedy young knight.
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I'm very at ease, and I like it. I never thought I would be such a family-oriented guy; I didn't think that was part of my makeup. But somebody said that as you get older you become the person you always should have been, and I feel that's happening to me. I'm rather surprised at who I am, because I'm actually like my dad!
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I'm just an individual who doesn't feel that I need to have somebody qualify my work in any particular way. I'm working for me.
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I've always been very chauvinistic, even in my boy-obsessed days. But I was always a gentleman. I alwaysd treated my boys like real ladies. Always escorted them properly and, in fact, I suppose if I were a lot older - like 40 or 50 - I'd be a wonderful sugar daddy to some little queen down in Kensington. I'd have a houseboy named Richard to order around.