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I don't live for the stage. I don't live for an audience.
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It's true - I am a bisexual. But I can't deny that I've used that fact very well. I suppose it's the best thing that ever happened to me.
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I think everything that I learned about stagecraft and carrying through - creating a through point for a theatrical device.
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[While] my life started taking on all the problems of addiction. So that took me off into an area where relationships were absolutely impossible to handle on any real level. . . . Even communicating with other people was impossible.
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I wanted to prove the sustaining power of music.
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Pop stars are capable of growing old. Mick Jagger at 50 will be marvelous - a battered old roue - I can just see him. An aging rock star doesn't have to opt out life. When I'm 50, I'll prove it.
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I don't expect the human race to progress in too many areas. However, having a child with an ear infection makes one hugely grateful for antibiotics.
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I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
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Critics I don't understand. They get too intellectual. They're not very well-versed in street talk; it takes them longer to say it. So they have to do it in dictionaries and they take longer to say it.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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Hey man, I gotta straighten my face. This mellow thighed chick just put my spine out of place.
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A lot of people provide me with quotes. They suggest all kinds of things to say and I do, really, because I'm not very hip at all.
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It was like treading water all through the '60s, and when 1970 kicked in, I thought "We're here. Right." God, this is exciting. I'm going to go for it now. I really felt it was my time. Then Marc Bolan did it first. That really pissed me off.
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What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.
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I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
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They're the salt of the earth, those girls. They don't sit each night and compare notes on groups, criticising lyrics, asking if it's valid. They just play the record... yeah, and maybe they dance. I love them. I love them dearly
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Illusion I will be, for I've never been a sinner.
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It's only forever... Not long at all.
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I have found myself deeply, deeply intrigued by the ska-punk scene. It's such an expressive form of popular music, it's so real, it's got so much life: it's the most vital music in the world.
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I felt I really wanted to back off from music completely and just work within the visual arts in some way. I started painting quite passionately at that time.
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The character thing really is sort of, for me, personally, rather ancient history.
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I've always been very chauvinistic, even in my boy-obsessed days. But I was always a gentleman. I alwaysd treated my boys like real ladies. Always escorted them properly and, in fact, I suppose if I were a lot older - like 40 or 50 - I'd be a wonderful sugar daddy to some little queen down in Kensington. I'd have a houseboy named Richard to order around.
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I think Lindsay Kemp really introduced me to the work of Jean Genet, and through that, I kind of kept re-educating myself about other prose writers and poets.
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It's not the side-effects of the cocaine - I'm thinking that it must be love. It's too late to be grateful, It's too late to be hateful, It's too late to be late again, The European cannon is here.