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There seem to be a lot of black artists making very good videos that I'm surprised aren't being used on MTV.
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I think Lindsay Kemp really introduced me to the work of Jean Genet, and through that, I kind of kept re-educating myself about other prose writers and poets.
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I started playing around with local rock band swith the alto. And then, in a nutshell, somebody fell ill one night, the lead singer of one of the bands, and they knew I could sing, so they asked me if I would stand in. And I quite enjoyed it, actually, I must say, at 14. It was a real trip to have girls wave at you and smile and everything just because you opened your mouth and sang.
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I woke up one day and realized I was a closet hetero
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I think the first experience scared the hell out of me. Within months of my initial marriage [on Angela Bowie], I realized I had done a really naive and rather stupid thing. . . . I don't think either of us had any real resolve about being together. The result was it made me wary of relationships.
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Ironically, style doesn't come even closely related to fashion. It's got nothing to do [with clothes].
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David Bowie emerged as a rock star in the late '60s. And as Ken Tucker wrote, "In the face of the hippy era's sincerity, intimacy and generosity, Bowie presented irony, distance and self-absorption. His song 'Changes' announced the arrival of a new counterculture," unquote.
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It makes me sad when I see artists who come alive when they go onstage, because, gee, I really come alive when I'm home.
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It's true - I am a bisexual. But I can't deny that I've used that fact very well. I suppose it's the best thing that ever happened to me.
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I don't like people probing into my life, so I reveal as little as possible or lie about it as much as need be so as to give them something to write about.
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I wanted to prove the sustaining power of music.
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What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.
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It's only forever... Not long at all.
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I always write well in New York.
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The only real failure is trying to second-guess the taste of an audience. Nothing comes out of that except a kind of inward humiliation.
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Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable.
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I don't live for the stage. I don't live for an audience.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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I'll paint you moments of gold, I'll spin you Valentine evenings.
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In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
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I'm not sure that an art career would have any benefit for me; I'm not sure it's what I want. I don't think I want to be a designer-rock artist.
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Everywhere I looked, demons of the future [were] on the battlegrounds of one’s emotional plane.
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I felt I really wanted to back off from music completely and just work within the visual arts in some way. I started painting quite passionately at that time.
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A lot of people provide me with quotes. They suggest all kinds of things to say and I do, really, because I'm not very hip at all.