Sia (Sia Kate Isobelle Furler) Quotes
Quotes to Explore
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I'm from Maine. I eat apple pie for breakfast.
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I spent years studying the teachings of Patanjali, and he reminded us several thousand years ago that when we are steadfast - which means that we never slip in our abstention of thoughts of harm directed toward others - then all living creatures cease to feel enmity in our presence.
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Anytime you do something in this arena, whether it's public records or ethics, it's not like throwing a stone in a quiet pond. It's like throwing a boulder.
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In the late '90s, I spent a lot of time on reservations, and there was a level of poverty and injustice that I had not witnessed before. I was shocked by it. This is federally controlled land, and there was an insidious mix of apathy and exploitation.
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I think any artist that's going to become anything in this world faces humility: with great humility comes great success.
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Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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I read 'The Shining' before I ever saw the movie, when I was maybe 12.
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Although I'm not from London originally: I moved down here when I was 16, so it's played a part in my life. It's where I've lived for all that time.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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How do you dare to ask me for a solution? It's like asking Seneca for a solution. You remember what he did? He committed suicide!
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I don't think that 60-70 percent of working-class white voters would have supported a Muslim ban before Donald Trump said something about a Muslim ban.
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There's a lot more pressure on me at United. There are people out there trying to shoot you down.
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The kind of person who's going to stand on the red carpet and love the attention and have the big grin - I'm just not like that. I want to get in there, do what I've got to do, and get home to my kids.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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I think it's important for one to take a certain distance from oneself.
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People want someone focused on getting the job done, not political talking points but rather solving problems.
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I must ask the Lord to direct the Holy Spirit within me to drain the life out of sin and in prayer.
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I'm aware families sit around the telly to watch 'Vera', which is making entertainment out of murder. But I don't enjoy reading about people's pain. I tend to put myself in that position, and it's not somewhere I want to be.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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Sing your song, unforgiving siren,Part the curtain clouds with your faithful entrance,And clear your voice.Pour your song of milk onto this land of yours.
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When I began 'All Our Names,' I did so wanting to create parallel narratives between Africa in the nineteen-seventies and America during that same period.
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The time between appearances for us is so great that we lose track of it. It would be like watching 'Ben Hur' at one frame a second. There would be long periods of time where absolutely nothing was going on.
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I really felt like 'Chandelier' was a big pop song. But we weren't sure what would happen if I wasn't willing to show my face and do promo and go on tour and do the traditional kind of pop strategy. So I had no expectations.
